Reconsidering Boccaccio
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Edited by:
Olivia Holmes
and Dana Stewart
About this book
Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.
Author / Editor information
Olivia Holmes is a professor of English and Medieval Studies in the Department of English and the Center for Medieval Studies and Renaissance at Binghamton University.
Stewart Dana :
Dana E. Stewart is an associate professor of Italian and Medieval Studies in the Department of Romance Languages and the Center for Medieval and Renaissance Studies at Binghamton University.
Reviews
"This is a learned and provocative set of essays that should interest any scholar working in early modern European or Mediterranean studies."
David G. Lummus, University of Notre Dame:
"This collection of essays, which moves from the close examination of Boccaccio’s own manuscript of the Decameron to the larger social and legal contextualization of his works to their reception in Renaissance Europe, will prove a valuable point of reference to students and scholars of Boccaccio for years to come."
Guyda Armstrong, Department of Italian Studies, University of Manchester :
"Reconsidering Boccaccio is a substantial miscellany volume, featuring several extremely impressive contributors. Engaged with critical concerns beyond the narrow field of Boccaccio and source studies, Reconsidering Boccaccio will be of interest to scholars of comparative medieval French and Italian studies. With a focus on gender, particularly as it relates to women’s contributions to production and reception, Reconsidering Boccaccio also explores the importance of feminist response to Boccaccio’s work, and implicitly advances an argument for renewed attention."
Topics
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Frontmatter
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Contents
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Acknowledgments
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Contributors
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Introduction
1 - Part One: Material Contexts
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1. Text and (Inter)Face: The Catchwords in Boccaccio’s Autograph of the Decameron
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2. Reading Boccaccio’s Paratexts: Dedications as Thresholds between Worlds
48 - Part Two: Social Contexts: Friendship
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3. Boccaccio on Friendship (Theory and Practice)
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4. Among Boccaccio’s Friends: A Profi le of Mainardo Cavalcanti
98 - Part Three: Social Contexts: Gender, Marriage, and the Law
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5. Reading Like a Woman: Gendering Compassion in the Elegia di Madonna Fiammetta
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6. The Economics of Conjugal Debt from Gratian’s Decretum to Decameron 2.10: Boccaccio, Canon Law, and the Loss of Interest in Sex
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7. Authority and Misogamy in Boccaccio’s Trattatello in laude di Dante
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8. What Turns on Whether Women Are Human for Boccaccio and Christine de Pizan?
189 - Part Four: Political and Authorial Contexts: On Famous Women
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9. On She-Wolves and Famous Women: Boccaccio, Politics, and the Neapolitan Court
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10. Christine Transforms Boccaccio: Gendered Authorship in the De mulieribus claris and the Cité des dames
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11. Reading Like a Frenchwoman: Christine de Pizan’s Treatment of Boccaccio’s Johanna I and Andrea Acciaiuoli
260 - Part Five: Literary Contexts and Intertexts
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12. A Persian in a Pear Tree: Middle Eastern Analogues for Pirro/Pyrrhus
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13. Splitting Pants and Pigs: The Fabliau “Barat et Haimet” and Narrative Strategies in Decameron 8.5 and 8.6
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14. The Tragicomedy of Lament: La Celestina and the Elegiac Legacy of Boccaccio’s Fiammetta
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15. Sins, Sex, and Secrets: The Legacy of Confession from the Decameron to the Heptaméron
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Index
425