University of Toronto Press
Passing Judgement
About this book
In Passing Judgement, Hélène Bilis examines how an overlooked character-type—the royal judge—remained a constant of the tragic genre throughout the 17th century.
Author / Editor information
Hélène E. Bilis is an assistant professor in the Department of French at Wellesley College.
Reviews
"This book is an excellent addition to scholarship on both humanist and classical French theater."
Hélène Visentin, Department of French, Smith College:
“In Passing Judgement, Hélène Bilis proposes a new study on the evolution of French tragedy. She eloquently shows how the tragic genre is permeable to various aesthetics and does not necessarily bind to a set of rigid rules.”
Harriet Stone, Department of Romance Languages and Literatures, Washington University in St Louis:
“Bilis writes with admirable clarity as she traces a fine line of research and thinking about dramatic history and court culture during this period. She makes a valuable contribution to seventeenth-century French studies and to theatre history.”
Topics
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Frontmatter
i -
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Contents
vii -
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Preface
ix -
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Acknowledgments
xix -
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PASSING JUDGMENT
1 -
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Introduction
3 -
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1. The Critique of Le Cid: Richelieu, Royal Judgment, and the Rules
14 -
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2. Failed Judgments, Thwarted Justice: Alexandre Hardy’s Scédase ou l’hospitalité violée
46 -
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3. The Ceremony Unravels: Tragedy’s Comedic Turn
72 -
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4. Learning from Experience: On Corneille and Coherence
99 -
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5. Corneille’s Cinna and Rotrou’s Crisante : A Search for the Emperor’s Judgment
131 -
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6. Racine and Royal Fathers of Injustice – Mithridate and Phèdre
173 -
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Conclusion
201 -
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Notes
205 -
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Bibliography
243 -
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Index
255