Subject Stages
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Maria M. Carrion
About this book
Subject Stages argues that the discourses and practices of marital legislation, litigation, and theatrics informed each other in early modern Spain in ways that still have a critical bearing on contemporary events in Spain, such as the legalization of divorce in 1978 and of same-sex marriage in 2005.
Author / Editor information
María M. Carrión is Professor of Spanish, Religion, and Women's Studies at Emory University.
Reviews
Carrión’s is an excellent study, which sheds light on a topic that has to this point been overlooked even though it is central to many of the most important themes and plays of the Comedia.’
Sherry Velasco, Department of Spanish and Portuguese, University of Southern California:
'The façade of the "happily ever after" marriage plot as it is represented in theatrical performances of early modern Spain conceals nuanced cultural commentary on the social and legal functions of matrimony. Subject Stages, María M. Carrión's compelling examination of theatrical productions, canonical literary works, and other cultural texts, is an original and important analysis of the interrelation of law, theatre, and the institution of marriage.'
Topics
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Frontmatter
i -
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Contents
v -
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List of Illustrations
vii -
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List of Abbreviations
ix -
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Author’s Note
xi -
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Introduction
1 -
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1. Marital Law and Order in Early Modern Spain
15 -
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2. Marriage Scenes in the Archives
32 -
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3. The Birth of the Comedia and the Bride Onstage
53 -
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4. Foundational Violence and the Drama of Honour
77 -
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5. Punishing Illicit Desire
99 -
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6. Woman in Breeches
125 -
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Coda: The Musical Chairs of Divorce
148 -
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Conclusion
161 -
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Acknowledgments
169 -
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Notes
173 -
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Glossary
211 -
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Works Cited
215 -
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Index
241