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Chapters in this book
- Frontmatter i
- Contents v
- Dates of Original Publication vii
- Introduction ix
- The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity 1
- Patterns of Structure and Character in Ibsen's Rosmersholm 18
- Marriage, Metaphysics and The Lady from the Sea Problem 28
- The Unspoken Text in Hedda Gabler 40
- Ibsen's Endgame: A Reconsideration of When We Dead Awaken 57
- Strindberg and Ibsen: Toward a Cubism of Time in Drama 69
- Strindberg's Miss Julie and the Legend of Salomé 92
- Strindberg's To Damascus: Archetypal Autobiography 110
- Pirandello's Mirror 127
- Pirandellian Theatre Games: Spectator as Victim 142
- An Author in Search of Characters: Pirandello and Commedia dell'arte 151
- Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello 170
- Six Characters: Pirandello's Last Tape 181
- Godotology: There's Lots of Time in Godot 191
- Action and Play in Beckett's Theater 200
- Acting for Beckett 210
- Beckett as Director: The Manuscript Production Notebooks and Critical Interpretation 212
- Being and Non-Being: Samuel Beckett's Not I 228
- Samuel Beckett's Media Plays 241
- Reading as Theatre: Understanding Defamiliarization in Beckett's Art 259
- Roundelay 279
- Suggestions for Further Reading 281
- Contributors 285
- Index 289
Chapters in this book
- Frontmatter i
- Contents v
- Dates of Original Publication vii
- Introduction ix
- The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity 1
- Patterns of Structure and Character in Ibsen's Rosmersholm 18
- Marriage, Metaphysics and The Lady from the Sea Problem 28
- The Unspoken Text in Hedda Gabler 40
- Ibsen's Endgame: A Reconsideration of When We Dead Awaken 57
- Strindberg and Ibsen: Toward a Cubism of Time in Drama 69
- Strindberg's Miss Julie and the Legend of Salomé 92
- Strindberg's To Damascus: Archetypal Autobiography 110
- Pirandello's Mirror 127
- Pirandellian Theatre Games: Spectator as Victim 142
- An Author in Search of Characters: Pirandello and Commedia dell'arte 151
- Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello 170
- Six Characters: Pirandello's Last Tape 181
- Godotology: There's Lots of Time in Godot 191
- Action and Play in Beckett's Theater 200
- Acting for Beckett 210
- Beckett as Director: The Manuscript Production Notebooks and Critical Interpretation 212
- Being and Non-Being: Samuel Beckett's Not I 228
- Samuel Beckett's Media Plays 241
- Reading as Theatre: Understanding Defamiliarization in Beckett's Art 259
- Roundelay 279
- Suggestions for Further Reading 281
- Contributors 285
- Index 289