Gendering the Nation
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Edited by:
Kay Armatage
, Kass Banning , Brenda Longfellow and Janine Marchessault
About this book
The editors have produced a definitive collection of essays that address the impact and influence of a century of women's film-making in Canada. This book seeks to situate women's cinema through the complex optic of national culture.
Author / Editor information
Kay Armatage is Chair, Graduate Programme in Women's Studies, University of Toronto.
Banning Kass :Kass Banning teaches Cinema Studies at the University of Toronto.
Longfellow Brenda :Brenda Longfellow is a filmmaker and an associate professor at Atkinson College, York University.
Marchessault Janine :Janine Marchessault is an associate professor and Canada Research Chair in Art, Digital Media, and Globalization in the Faculty of Fine Arts at York University.
Reviews
'This is the most refreshing and most useful - quite simply the best - book on Canadian cinemas of the last decade. At last gender is consolidated as the central issue in questions of nationality and culture, and in a way that enriches, problematizes and expands the entire field far beyond currently existing canons. Gendering the Nation offers a wealth of perspectives by leading Canadian film scholars and by those who clearly soon will be.'
Arthur and Marilouise Kroker, authors of Hacking the Future:
'[Gendering the Nation is] a unique, imaginative history of Canadian women's cinema that convincingly demonstrates that to know Canadian women's filmic imagination is to know another country – a country with a "global sense of place" beyond gender, identity, and nation.'
Topics
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Frontmatter
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Contents
ix -
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Acknowledgments
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Gendering the Nation
1 - Pioneer
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Nell Shipman: A Case of Heroic Femininity
17 - Documentary
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Studio D’s Imagined Community: From Development (1974) to Realignment (1986-1990)
41 -
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Anti-Porn: Soft Issue, Hard World
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Storytelling and Resistance: The Documentary Practice of Alanis Obomsawin
76 -
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A Cinema of Duty: The Films of Jennifer Hodge de Silva
94 -
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Keepers of the Power: Story as Covenant in the Films of Loretta Todd, Shelley Niro, and Christine Welsh
109 -
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To Document – to Imagine – to Simulate
120 - Avant-Garde
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Feminist Avant-Garde Cinema: From Introspection To Retrospection
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The Scene Of The Crime: Genealogies Of Absence In The Films Of Patricia Gruben
148 - Narrative Fiction
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Gender, Landscape, and Colonial Allegories in The Far Shore, Loyalties, and Mouvements du désir
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A Minority on Someone Else’s Continent: Identity, Difference, and the Media in the Films of Patricia Rozema
183 -
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Barbaras en Québec: Variations on Identity
197 -
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Mourning the Woman’s Film: The Dislocated Spectator of The Company of Strangers
212 -
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Fragmenting the Feminine: Aesthetic Memory in Anne Claire Poirier’s Cinema
225 -
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Two Plus Two: Contesting The Boundaries Of Identity In Two Films By Micheline Lanctôt
244 -
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Cowards, Bullies, and Cadavers: Feminist Re-Mappings of the Passive Male Body in English-Canadian and Quebecois Cinema
253 -
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Querying/Queering the Nation
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Playing in the Light: Canadianizing Race and Nation
291 -
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Selected Bibliography
311 -
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Contributors
317 -
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Index
321