Culture, Communication and National Identity
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Richard Collins
About this book
A European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity – just as Canada has.
Author / Editor information
Richard Collins is Honorary Visiting Professor in the College of Social Sciences and International Studies. He also holds a fractional post as Professor of Journalism at City University London. Previously he has held posts at the Open University, London School of Economics and Political Science, Goldsmiths’ College University of London, the Royal Melbourne Institute of Technology and elsewhere. He also served as Head of Education and Deputy Director at the British Film Institute. He is the author of several books on television, including Satellite Television in Western Europe; Television, Policy and Culture, and with Nicholas Garnham and Gareth Locksley, The Economics of Television: The UK Case.
Topics
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Frontmatter
i -
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Contents
vii -
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Preface: The Martian View
ix -
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Acknowledgments
xix -
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1. Introduction
3 -
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2. Structure and Historical Development of Canadian Television
42 -
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3. 1968 and After: The Public Sector and the Market from the Broadcasting Act to Caplan/Sauvageau
66 -
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4. Nationalism
105 -
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5. Maximization of Satisfaction: The Market Paradigm
141 -
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6. Dependency Theory and Television in Canada
160 -
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7. The Intellectuals, Television, and the Two Solitudes
190 -
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8. The Television Audience
228 -
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9. National Culture; or, Where Is Here?
250 -
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10. The Single Dramas: La Misere Canadienne
277 -
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11. The Continental Culture and Canadian Television Drama: The Mini Series
298 -
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12. Conclusion
327 -
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References
345 -
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Index
359