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Cinema and Semiotic
Peirce and Film Aesthetics, Narration, and Representation
Language:
English
Published/Copyright:
2004
About this book
Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception.
Author / Editor information
Ehrat, SJ P. Johannes :
Johannes Ehrat is a professor extraordinarius in the Faculty of Social Sciences at the Pontificia Università Gregoriana.
Reviews
Floyd Merrell, Department of Foreign Languages and Literature, Purdue University:
'It would be difficult to find a scholar in communication, film, and cultural theory as conversant regarding Peircian semiotics as Johannes Ehrat. This richly argued book is truly compelling, and a valuable contribution to the field.'
Topics
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Frontmatter
i -
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Contents
vii -
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Acknowledgments
ix -
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Introduction
1 -
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1 On Signs, Categories, and Reality and How They Relate to Cinema
8 -
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2 Semiotic and Its Practical Use for Cinema
112 -
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3 What ‘Is’ Cinema?
165 -
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4 Narration in Film and Film Theory
283 -
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5 Narration, Time, and Narratologies
345 -
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6 Enunciation in Cinema
398 -
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Conclusion
555 -
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Notes
561 -
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Bibliography
649 -
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Filmography, by Director
663 -
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Index
667
Publishing information
Pages and Images/Illustrations in book
eBook published on:
March 16, 2005
eBook ISBN:
9781442672956
Pages and Images/Illustrations in book
Main content:
670
This book is in the series
eBook ISBN:
9781442672956
Audience(s) for this book
College/higher education;Professional and scholarly;
