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8. Mourning Disavowed: Matteo Garrone’s Gomorra
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Dana Renga
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Trauma, Gender, and Recent Italian Mafia Cinema 1
- 1. Oedipal Confl icts in Marco Tullio Giordana’s I cento passi 21
- 2. Honour, Shame, and Vendetta: Pasquale Scimeca’s Placido Rizzotto 36
- 3. Mafi a Woman in a Man’s World: Roberta Torre’s Angela 51
- 4. The Mafi a Noir: Paolo Sorrentino’s Le conseguenze dell’amore 65
- 5. Men of Honour, Man of Glass: Stefano Incerti’s L’uomo di vetro 80
- 6. The Female Mob Boss: Edoardo Winspeare’s Galantuomini 99
- 7. Melancholia and the Mob Weepie: Davide Barletti and Lorenzo Conte’s Fine pena mai: Paradiso perduto 116
- 8. Mourning Disavowed: Matteo Garrone’s Gomorra 134
- 9. Recasting Rita Atria in Marco Amenta’s La siciliana ribelle 150
- 10 Trauma Postponed: Claudio Cupellini’s Una vita tranquilla 165
- Epilogue: Why Must Caesar Die? 181
- Notes 191
- Works Cited 223
- Index 245
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Trauma, Gender, and Recent Italian Mafia Cinema 1
- 1. Oedipal Confl icts in Marco Tullio Giordana’s I cento passi 21
- 2. Honour, Shame, and Vendetta: Pasquale Scimeca’s Placido Rizzotto 36
- 3. Mafi a Woman in a Man’s World: Roberta Torre’s Angela 51
- 4. The Mafi a Noir: Paolo Sorrentino’s Le conseguenze dell’amore 65
- 5. Men of Honour, Man of Glass: Stefano Incerti’s L’uomo di vetro 80
- 6. The Female Mob Boss: Edoardo Winspeare’s Galantuomini 99
- 7. Melancholia and the Mob Weepie: Davide Barletti and Lorenzo Conte’s Fine pena mai: Paradiso perduto 116
- 8. Mourning Disavowed: Matteo Garrone’s Gomorra 134
- 9. Recasting Rita Atria in Marco Amenta’s La siciliana ribelle 150
- 10 Trauma Postponed: Claudio Cupellini’s Una vita tranquilla 165
- Epilogue: Why Must Caesar Die? 181
- Notes 191
- Works Cited 223
- Index 245