University of Toronto Press
The Metaphor of Celebrity
About this book
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry.
Author / Editor information
Joel Deshaye is an academic projects manager at McGill University.
Reviews
‘A book that can and will act as a critical touchstone as celebrity continues to evolve and involve itself in the “literariness” and visibility texts.’
Kit Dobson:
‘The Metaphor of Celebrity is an engrossing read because of the balance that the text strikes…That I am left for wanting more of the text is, from my point of view, an excellent challenge to the writer.’
J.A. Wainwright, Department of English, Dalhousie University:
“The Metaphor of Celebrity is an invaluable source for contextualizing and assessing the work of four major Canadian writers. Joel Deshaye makes evident the elevating and enervating qualities of celebrity, and with his attention to their crucial shaping of the presentation and reception of Canadian literature between the mid-1950s and early 1980s, he creates a vital historical lens through which we can view contemporary Canadian concerns with cultural identity.”
Priscila Uppal, Department of English, York University:
“I highly recommend The Metaphor of Celebrity, a fascinating, well-researched, thoughtful, and historically significant book on a vital period of Canadian poetry. This study is a major contribution to research, advancing an important and timely dialogue that will have implications for further study of modernist poetry and Canadian poetry in general. It is also immensely readable, and I am eager to talk about it among my colleagues.”
Topics
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Frontmatter
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Contents
v -
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Introduction
1 -
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1. The Metaphor of Celebrity
14 -
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2. The Era of Celebrity in Canadian Poetry
37 -
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3. Becoming “Too Public” in the Poetry of Irving Layton
60 -
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4. Fighting Words : Layton on Radio and Television
92 -
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5. Recognition, Anonymity, and Leonard Cohen’s Stranger Music
101 -
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6. “I like that line because it’s got my name in it”: Masochistic Stardom in Cohen’s Poetry
109 -
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7. Celebrity, Sexuality, and the Uncanny in Michael Ondaatje’s The Collected Works of Billy the Kid
137 -
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8. “A Razor in the Body”: Ondaatje’s Rat Jelly and Secular Love
155 -
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9. The Magician and His Public in the Poetry of Gwendolyn MacEwen
173 -
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10. Passing and Celebrity in MacEwen’s The T.E. Lawrence Poems
186 -
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Conclusion: Public, Nation, Now
202 -
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Acknowledgments
213 -
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Appendix: Four Tables
215 -
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Notes
219 -
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References
241 -
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Index
257