University of Toronto Press
Law and the Visual
About this book
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
Author / Editor information
Desmond Manderson is a professor in the ANU College of Law and College of Arts & Social Sciences at the Australian National University. He is founding Director of its Centre for Law, Arts, and the Humanities.
Reviews
"In seeking to address the various themes within the emerging body of scholarship on law and visual studies, Desmond Manderson brings together cutting-edge scholarship from both established and up-and-coming scholars."
Austin Sarat, William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst College:
"Desmond Manderson’s Law and the Visual marks a significant development in visual studies of law. Manderson moves readers across centuries, cultural contexts, and visual media. There is nothing like this book!"
Topics
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Frontmatter
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Contents
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Introduction: Imaginal Law
3 - Part One: Representations – The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries
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1. Blindness Visible: Law, Time, and Bruegel’s Justice
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2. Faces and Frames of Government
51 -
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3. An Emblematic Representation of Law: Hogarth and the Engravers’ Act
75 -
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4. Law and the Revolutionary Motif after Jacques-Louis David
101 -
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5. Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation
122 -
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6. The Visual Force of Justice in the Making of Liberia
141 - Part Two: Technologies – Excesses of Legal Modernity in the Twentieth Century
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7. “You Will See My Family Became So American”: Race, Citizenship, and the Visual Archive
161 -
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8. From Sentimentality to Sadism: Visual Genres of Asylum Seeking
189 -
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9. Images of Victims: The ECCC and the Cambodian Genocide Museum
210 -
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10. The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault’s Spectacle of Punishment
229 - Part Three: Critique – Irony and Legal Modernity in the Twenty-First Century
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11. T-Shirt’s Guevara: The Visual Jurisprudence of the New Man
251 -
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12. The Art of Bureaucracy: Redacted Ready-mades
286 -
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13. Illicit Interventions in Public Non-Spaces: Unlicensed Images
310 -
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14. What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence
330 -
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Contributors
355 -
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Index
359