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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- 1. The “Museal Gaze” and “Civic Seeing”: City, Film, and Museum in Wim Wenders’s Der Himmel über Berlin 21
- 2. Refracted Memory: Museums, Film, and Visual Culture in Urban Space 42
- 3. Nikolaus Geyrhalter’s Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence 63
- 4. The Concealed Curator: Constructed Authenticity in Uli Edel’s Der Baader-Meinhof Komplex 81
- 5. Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany’s Everyday Life 100
- 6. Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday 123
- 7. Historical Museum Meets Docu-Drama: The Recipient’s Experiential Involvement in the Second World War 138
- 8. Framing the Past: Visual Musealizations of the Nazi Past in Harlan – Im Schatten von Jud Süß and Jud Süß – Film ohne Gewissen 158
- 9. Moving Statues: Arthur Grimm, the Entartete Kunst Exhibition, and Installation Photography as Standfotografie 187
- 10. “In a Hundred Years of Cinema …”: History and Musealization in Harun Farocki’s Arbeiter verlassen die Fabrik in elf Jahrzehnten 209
- 11. Sex on Display: Sexual Science and the Exhibition PopSex! 227
- 12. Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek – Museum für Film und Fernsehen 248
- Bibliography 261
- Contributors 287
- Index 289
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- 1. The “Museal Gaze” and “Civic Seeing”: City, Film, and Museum in Wim Wenders’s Der Himmel über Berlin 21
- 2. Refracted Memory: Museums, Film, and Visual Culture in Urban Space 42
- 3. Nikolaus Geyrhalter’s Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence 63
- 4. The Concealed Curator: Constructed Authenticity in Uli Edel’s Der Baader-Meinhof Komplex 81
- 5. Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany’s Everyday Life 100
- 6. Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday 123
- 7. Historical Museum Meets Docu-Drama: The Recipient’s Experiential Involvement in the Second World War 138
- 8. Framing the Past: Visual Musealizations of the Nazi Past in Harlan – Im Schatten von Jud Süß and Jud Süß – Film ohne Gewissen 158
- 9. Moving Statues: Arthur Grimm, the Entartete Kunst Exhibition, and Installation Photography as Standfotografie 187
- 10. “In a Hundred Years of Cinema …”: History and Musealization in Harun Farocki’s Arbeiter verlassen die Fabrik in elf Jahrzehnten 209
- 11. Sex on Display: Sexual Science and the Exhibition PopSex! 227
- 12. Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek – Museum für Film und Fernsehen 248
- Bibliography 261
- Contributors 287
- Index 289