Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art

Vardan Azatyan

doi:10.2478/v10023-009-0042-8

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Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art

Vardan Azatyan

Published/Copyright: September 24, 2009

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From the journal Human Affairs Volume 19 Issue 3

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Azatyan, Vardan. "Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art" Human Affairs, vol. 19, no. 3, 2009, pp. 289-296. https://doi.org/10.2478/v10023-009-0042-8

Azatyan, V. (2009). Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art. Human Affairs, 19(3), 289-296. https://doi.org/10.2478/v10023-009-0042-8

Azatyan, V. (2009) Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art. Human Affairs, Vol. 19 (Issue 3), pp. 289-296. https://doi.org/10.2478/v10023-009-0042-8

Azatyan, Vardan. "Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art" Human Affairs 19, no. 3 (2009): 289-296. https://doi.org/10.2478/v10023-009-0042-8

Azatyan V. Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art. Human Affairs. 2009;19(3): 289-296. https://doi.org/10.2478/v10023-009-0042-8

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Published Online: 2009-09-24

Published in Print: 2009-09-01

Articles in the same Issue

Introductory: Gombrich's Struggle Against Metaphysics
Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
Sir Ernst Gombrich and the Barber from Tuscany
Gombrich and the Problem of Relativity of Vision
E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity?
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism
Ten Reasons Why E. H. Gombrich is not Connected to Art History
Privatization and the Social Value of Water in Africa
John Dewey's Ethics: Democracy as Experience

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https://doi.org/10.2478/v10023-009-0042-8

Keywords for this article

general art history; Cold War; Vienna School; Alpatov; Gombrich

Articles in the same Issue

Introductory: Gombrich's Struggle Against Metaphysics
Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
Sir Ernst Gombrich and the Barber from Tuscany
Gombrich and the Problem of Relativity of Vision
E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity?
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism
Ten Reasons Why E. H. Gombrich is not Connected to Art History
Privatization and the Social Value of Water in Africa
John Dewey's Ethics: Democracy as Experience