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Introduction

  • Corien J. M. Vuurman
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Prophets, Poets and Scholars
This chapter is in the book Prophets, Poets and Scholars
© 2024, Leiden University Press

© 2024, Leiden University Press

Chapters in this book

  1. Frontmatter 1
  2. Table of Contents 6
  3. Preface 12
  4. Introduction 16
  5. 1 The Ancient Near East
  6. NINO’S BÖHL COLLECTION OF CUNEIFORM TABLETS
  7. Introduction 39
  8. The Lion Gate at Hattusa on a Glass Slide 48
  9. Persepolis in the Eyes of Charles Chipiez 51
  10. EGYPTOLOGIS TS AND THEIR BOOKS : THE EGYPTOLOGY LIBRARY OF NINO
  11. Introduction 52
  12. The Description de l’Égypte: from Napoleon to Egyptology 61
  13. 2 Materiality Matters
  14. MANUSCRIPT MATERIALS AND BINDING PRACTICES: THE CODEX IN THE MIDDLE EAST
  15. Introduction 63
  16. Dala’il al-Khayrat or “The Waymarks of Benefits”: a Devotional Work on the Prophet Muhammad 74
  17. THE STARS IN LEIDEN: LISTENING TO THE STORIES OF ISLAMIC MANUSCRIPTS
  18. Introduction 77
  19. Material and Textual Ties in a Yemeni Manuscript 86
  20. DECORATED PAPERS IN ISLAMICATE MANUSCRIPTS
  21. Introduction 89
  22. Layers of Information in a Mamluk Manuscript 98
  23. 3 The Great Arabic Heritage
  24. THE WONDERS OF THE WORLD
  25. Introduction 101
  26. An Ancient Fragment of the Qur’an 113
  27. JACOBUS GOLIUS AND HIS ARABIC MANUSCRIPTS ON THE EXACT SCIENCES
  28. Introduction 114
  29. Manuscripts as Illustrations of a Living Medical Tradition 125
  30. THE AMIN ALMADANI COLLECTION OF ARABIC MANUSCRIPTS
  31. Introduction 126
  32. The Earliest Sound Recordings from Arabia 136
  33. 4 The Splendour of the Ottomans
  34. LEVINUS WARNER’S MANUSCRIPT COLLECTION
  35. Introduction 139
  36. A Natural History of the Americas and the Ottoman Economy 150
  37. The Kitab-ı Cihan-Nüma printed by İbrahim Müteferrika 153
  38. A WOMAN ON A BANKNOTE: FATMA ALİYE AND WOMEN AUTHORS IN THE LATE OTTOMAN EMPIRE
  39. Introduction 156
  40. A Cut Above the Rest 166
  41. WOUTER SWETS : MUSICIAN, COMPOSER, AND ETHNOMUSICOLOGIST (1930–2016) 169
  42. 5 Persian Refinement
  43. SHAHNAMAH: THE LONGEVITY OF THE PERSIAN BOOK OF KINGS 181
  44. HAKIM SANAʾI ’ S GARDEN OF TRUTH AND LAW OF THE RIGHT PATH
  45. Introduction 194
  46. The Materiality of a Hafiz Manuscript 204
  47. IMAGES FROM THE HOTZ PHOTOGRAPHIC COLLECTION: DUTCH COMMERCIAL VENTURES IN QAJAR PERSIA
  48. Introduction 207
  49. A Wedding Ceremony in Late Qajar Iran 216
  50. The Rubaʿiyat of Umar Khayyam 219
  51. 6 The Other Orient: Religions and Languages
  52. HEBREW MANUSCRIPT TREASURES AT LEIDEN: A PERSONAL NOTE
  53. Introduction 221
  54. A Result of Jewish-Christian Cooperation in Twelfth-Century England: The Hebrew Psalter Or. 4725 233
  55. A Dutch-Ashkenazi Esther Scroll for Purim 234
  56. LEIDEN AND THE CHRISTIAN MIDDLE EAST: THE BIBLE IN ARABIC, ARMENIAN, AND SYRIAC
  57. Introduction 236
  58. A Psalter and its Mahdar 246
  59. A Coptic-Arabic Lectionary and Homilies 249
  60. TASHELHIYT BERBER MANUSCRIPTS IN ARABIC CHARACTERS 250
  61. 7 The World of Orientalism
  62. THE EXCHANGEABLE SULTAN: JAN LUYKEN AND MEHMED IV 259
  63. SCALIGER AND HIS COLLECTION OF ARABIC BOOKS 268
  64. DUTCH ILLUSTRATORS OF THE THOUSAND AND ONE NIGHTS
  65. Introduction 280
  66. The “Indolent and Vicious Disposition” of the Moroccans 290
  67. MAPS OF THE MIDDLE EAST 292
  68. THE ZANZIBARLEIDEN CONNECTION: SAYYIDA SALME BINT SAʿID IBN SULTAN – EMILY RUETE (1844– 1924) 314
  69. SNOUCK HURGRONJE, THE COLLECTOR
  70. Introduction 324
  71. Émile Prisse d’Avennes’s Search for Egyptian Art and Architecture 336
  72. FRANK SCHOLTEN: MODERNITY AND THE BIBLICAL LENS 338
  73. 8 Modern Times
  74. “THE MECCA OF CULTURE, KNOWLEDGE AND LITERATURE”: ARABIC BOOK COVERS BET WEEN 1960 AND 1980
  75. Introduction 351
  76. “They’re Driving Me Crazy”: Egyptian Screen Goddesses and Western Fashion 364
  77. TURKISH FEMALE WRITERS CONTEMPLATING THEIR POSITION IN TURKISH SOCIETY
  78. Introduction 367
  79. A Pop-Up of the Great Mosque of Mecca 375
  80. The Mediterranean in Leiden’s Photo Collections: Ad van Denderen’s So Blue So Blue 376
  81. MOSTAPHA NAJI AND THE MAKING OF THE MOROCCAN COLLECTIONS IN LEIDEN 379
  82. About the Authors 389
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