Chapter
Licensed
Unlicensed
Requires Authentication
3 The Hollywood History Business
-
Jan-Christopher Horak
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- The End of Cinema As We Know It and I Feel . . .: An Introduction to a Book on Nineties American Film 1
-
PART I MOVIES, MONEY, AND HISTORY
- 1 The Blockbuster: Everything Connects, but Not Everything Goes 9
- 2 Those Who Disagree Can Kiss Jack Valenti’s Ass 23
- 3 The Hollywood History Business 33
- 4 The Man Who Wanted to Go Back 43
-
PART II THINGS AMERICAN (SORT OF)
- 5 “American” Cinema in the 1990s and Beyond: Whose Country’s Filmmaking Is It Anyway? 51
- 6 Marketing Marginalized Cultures: The Wedding Banquet, Cultural Identities, and Independent Cinema of the 1990s 61
- 7 Hollywood Redux: All about My Mother and Gladiator 72
- 8 The Zen of Masculinity—Rituals of Heroism in The Matrix 83
- 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema 95
- 10 The Blair Witch Project, Macbeth, and the Indeterminate End 105
- 11 Empire of the Gun: Steven Spielberg’s Saving Private Ryan and American Chauvinism 115
- 12 Saving Private Ryan Too Late 131
-
PART IV PICTURES AND POLITICS
- 13 The Confusions of Warren Beatty 139
- 14 Movie Star Presidents 150
- 15 The Fantasy Image: Fixed and Moving 158
- 16 Men with Guns: The Story John Sayles Can’t Tell 168
- 17 The End of Chicano Cinema 175
-
PART V THE END OF MASCULINITY AS WE KNOW IT
- 18 Being Keanu 183
- 19 Woody Allen,“the Artist,” and “the Little Girl” 195
- 20 Affliction: When Paranoid Male Narratives Fail 203
- 21 The Phallus UnFetished: The End of Masculinity As We Know It in Late-1990s “Feminist” Cinema 210
-
PART VI BODIES AT REST AND IN MOTION
- 22 Bods and Monsters: The Return of the Bride of Frankenstein 223
- 23 Having Their Cake and Eating It Too: Fat Acceptance Films and the Production of Meaning 237
-
PART VII INDEPENDENTS
- 24 A Rant 251
- 25 The Case of Harmony Korine 261
- 26 Where Hollywood Fears to Tread: Autobiography and the Limits of Commercial Cinema 269
- 27 Smoke ’til You’re Blue in the Face 277
-
PART VIII NOT FILMS EXACTLY
- 28 Pamela Anderson on the Slippery Slope 285
- 29 King Rodney: The Rodney King Video and Textual Analysis 300
- 30 Live Video 305
-
PART IX ENDGAMES
- 31 End of Story: The Collapse of Myth in Postmodern Narrative Film 317
- 32 Waiting for the End of the World: Christian Apocalyptic Media at the Turn of the Millennium 332
- 33 The Four Last Things: History, Technology, Hollywood, Apocalypse 342
- 34 Twenty-five Reasons Why It’s All Over 356
- Contributors 367
- Index 373
Chapters in this book
- Frontmatter i
- Contents vii
- The End of Cinema As We Know It and I Feel . . .: An Introduction to a Book on Nineties American Film 1
-
PART I MOVIES, MONEY, AND HISTORY
- 1 The Blockbuster: Everything Connects, but Not Everything Goes 9
- 2 Those Who Disagree Can Kiss Jack Valenti’s Ass 23
- 3 The Hollywood History Business 33
- 4 The Man Who Wanted to Go Back 43
-
PART II THINGS AMERICAN (SORT OF)
- 5 “American” Cinema in the 1990s and Beyond: Whose Country’s Filmmaking Is It Anyway? 51
- 6 Marketing Marginalized Cultures: The Wedding Banquet, Cultural Identities, and Independent Cinema of the 1990s 61
- 7 Hollywood Redux: All about My Mother and Gladiator 72
- 8 The Zen of Masculinity—Rituals of Heroism in The Matrix 83
- 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema 95
- 10 The Blair Witch Project, Macbeth, and the Indeterminate End 105
- 11 Empire of the Gun: Steven Spielberg’s Saving Private Ryan and American Chauvinism 115
- 12 Saving Private Ryan Too Late 131
-
PART IV PICTURES AND POLITICS
- 13 The Confusions of Warren Beatty 139
- 14 Movie Star Presidents 150
- 15 The Fantasy Image: Fixed and Moving 158
- 16 Men with Guns: The Story John Sayles Can’t Tell 168
- 17 The End of Chicano Cinema 175
-
PART V THE END OF MASCULINITY AS WE KNOW IT
- 18 Being Keanu 183
- 19 Woody Allen,“the Artist,” and “the Little Girl” 195
- 20 Affliction: When Paranoid Male Narratives Fail 203
- 21 The Phallus UnFetished: The End of Masculinity As We Know It in Late-1990s “Feminist” Cinema 210
-
PART VI BODIES AT REST AND IN MOTION
- 22 Bods and Monsters: The Return of the Bride of Frankenstein 223
- 23 Having Their Cake and Eating It Too: Fat Acceptance Films and the Production of Meaning 237
-
PART VII INDEPENDENTS
- 24 A Rant 251
- 25 The Case of Harmony Korine 261
- 26 Where Hollywood Fears to Tread: Autobiography and the Limits of Commercial Cinema 269
- 27 Smoke ’til You’re Blue in the Face 277
-
PART VIII NOT FILMS EXACTLY
- 28 Pamela Anderson on the Slippery Slope 285
- 29 King Rodney: The Rodney King Video and Textual Analysis 300
- 30 Live Video 305
-
PART IX ENDGAMES
- 31 End of Story: The Collapse of Myth in Postmodern Narrative Film 317
- 32 Waiting for the End of the World: Christian Apocalyptic Media at the Turn of the Millennium 332
- 33 The Four Last Things: History, Technology, Hollywood, Apocalypse 342
- 34 Twenty-five Reasons Why It’s All Over 356
- Contributors 367
- Index 373