Book
Licensed
Unlicensed
Requires Authentication
Race Music
Black Cultures from Bebop to Hip-Hop
-
Guthrie P. Ramsey
Language:
English
Published/Copyright:
2003
About this book
This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism.
Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct—possessing its own conventions, performance practices, and formal qualities—each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed.
Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.
Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct—possessing its own conventions, performance practices, and formal qualities—each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed.
Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.
Author / Editor information
Ramsey Guthrie P. :
Guthrie P. Ramsey, Jr. is a musicologist, pianist, composer and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania.
Topics
-
Download PDFPublicly Available
Frontmatter
i -
Download PDFPublicly Available
Contents
vii -
Download PDFPublicly Available
Illustrations
ix -
Download PDFPublicly Available
Preface
xi -
Download PDFRequires Authentication UnlicensedLicensed
1. Daddy’s Second Line: Toward a Cultural Poetics of Race Music
1 -
Download PDFRequires Authentication UnlicensedLicensed
2. Disciplining Black Music: On History, Memory, and Contemporary Theories
17 -
Download PDFRequires Authentication UnlicensedLicensed
3. “It’s Just the Blues”: Race, Entertainment, and the Blues Muse
44 -
Download PDFRequires Authentication UnlicensedLicensed
4. “It Just Stays with Me All of the Time”: Collective Memory, Community Theater, and the Ethnographic Truth
76 -
Download PDFRequires Authentication UnlicensedLicensed
5. “We Called Ourselves Modern”: Race Music and the Politics and Practice of Afro-Modernism at Midcentury
96 -
Download PDFRequires Authentication UnlicensedLicensed
6. “Goin’ to Chicago”: Memories, Histories, and a Little Bit of Soul
131 -
Download PDFRequires Authentication UnlicensedLicensed
7. Scoring a Black Nation: Music, Film, and Identity in the Age of Hip-Hop
163 -
Download PDFRequires Authentication UnlicensedLicensed
8. “Santa Claus Ain’t Got Nothing on This!”: Hip-Hop Hybridity and the Black Church Muse
190 -
Download PDFRequires Authentication UnlicensedLicensed
Epilogue: “Do You Want It on Your Black-Eyed Peas?”
217 -
Download PDFRequires Authentication UnlicensedLicensed
Notes
219 -
Download PDFRequires Authentication UnlicensedLicensed
Selected Bibliography
245 -
Download PDFRequires Authentication UnlicensedLicensed
Acknowledgments
259 -
Download PDFRequires Authentication UnlicensedLicensed
Index
263
Publishing information
Pages and Images/Illustrations in book
eBook published on:
June 1, 2003
eBook ISBN:
9780520938434
Pages and Images/Illustrations in book
Main content:
294
eBook ISBN:
9780520938434
Keywords for this book
afro modernism; black culture; african american music; musicology; african americans; cultural theorists; black americans; black power era; black music; chicago; dizzy gillespie; mahalia jackson; dinah washington; cootie williams; louis jordan; bebop; jam sessions; musical meaning; black communities; music and culture; rhythm and blues; gospel music; ethnocentric; racial issues; social changes; musical styles; hip hop; american history; jazz; nonfiction