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Keila Diehl
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Note to the Reader xv
- Preface xvii
- Introduction: Theory at Home and in the Field 1
- 1. Dharamsala: A Resting Place to Pass Through 32
- 2. “There Is a Tension in Our Hearts”: Constructing the Rich Cultural Heritage of Tibet 57
- 3. Taking Refuge in (and from) India: Film Songs, Angry Mobs, and Other Exilic Pleasures and Fears 101
- 4. The West as Surrogate Shangri-La: Rock and Roll and Rangzen as Style and Ideology 144
- 5. The Nail That Sticks Up Gets Hammered Down: Making Modern Tibetan Music 175
- 6. “Little Jolmo Bird in the Willow Grove”: Crafting Tibetan Song Lyrics 207
- 7. A Peek Through Ragged Tent Flaps and Heaven’s Door: Concerts That Rupture and Bond 234
- Conclusion: Echoes, Cycles, and Their Implications 263
- Notes 271
- Glossary 289
- Bibliography 291
- Index 309
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Note to the Reader xv
- Preface xvii
- Introduction: Theory at Home and in the Field 1
- 1. Dharamsala: A Resting Place to Pass Through 32
- 2. “There Is a Tension in Our Hearts”: Constructing the Rich Cultural Heritage of Tibet 57
- 3. Taking Refuge in (and from) India: Film Songs, Angry Mobs, and Other Exilic Pleasures and Fears 101
- 4. The West as Surrogate Shangri-La: Rock and Roll and Rangzen as Style and Ideology 144
- 5. The Nail That Sticks Up Gets Hammered Down: Making Modern Tibetan Music 175
- 6. “Little Jolmo Bird in the Willow Grove”: Crafting Tibetan Song Lyrics 207
- 7. A Peek Through Ragged Tent Flaps and Heaven’s Door: Concerts That Rupture and Bond 234
- Conclusion: Echoes, Cycles, and Their Implications 263
- Notes 271
- Glossary 289
- Bibliography 291
- Index 309