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Epic Traditions in the Contemporary World
The Poetics of Community
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Edited by:
, and
Language:
English
Published/Copyright:
1999
About this book
The epic tradition has been part of many different cultures throughout human history. This noteworthy collection of essays provides a comparative reassessment of epic and its role in the ancient, medieval, and modern worlds, as it explores the variety of contemporary approaches to the epic genre. Employing theoretical perspectives drawn from anthropology, literary studies, and gender studies, the authors examine familiar and less well known oral and literary traditions—ancient Greek and Latin, Arabic, South Slavic, Indian, Native American, Italian, English, and Caribbean—demonstrating the continuing vitality of the epic tradition.
Juxtaposing work on the traditional canon of western epics with scholarship on contemporary epics from various parts of the world, these essays cross the divide between oral and literary forms that has long marked the approach to the genre. With its focus on the links among narrative, politics, and performance, the collection creates a new dialogue illustrating the sociopolitical significance of the epic tradition. Taken together, the essays raise compelling new issues for the study of epic, as they examine concerns such as national identity, gender, pedagogy, and the creation of the canon.
Juxtaposing work on the traditional canon of western epics with scholarship on contemporary epics from various parts of the world, these essays cross the divide between oral and literary forms that has long marked the approach to the genre. With its focus on the links among narrative, politics, and performance, the collection creates a new dialogue illustrating the sociopolitical significance of the epic tradition. Taken together, the essays raise compelling new issues for the study of epic, as they examine concerns such as national identity, gender, pedagogy, and the creation of the canon.
Author / Editor information
Beissinger Margaret :
Margaret Beissinger is Lecturer in Slavic Languages; Jane Tylus is Associate Professor of Comparative Literature; and Susanne Wofford is Associate Professor of English. All are affiliated with the University of Wisconsin, Madison.
Topics
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Frontmatter
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CONTENTS
IX -
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ACKNOWLEDGMENTS
XI -
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ACKNOWLEDGMENTS
1 - SECTION ONE On the Margins of the Scribal From Oral Epic to Text
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1 Epic as Genre
21 -
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2 Performing Interpretation: Early Allegorical Exegesis of Homer
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3 The Arabic Epic Poet as Outcast, Trickster, and Con Man
54 -
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4 Epic, Gender, and Nationalism: The Development of Nineteenth- Century Balkan Literature
69 - SECTION TWO Epic and Authority
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5 Metamorphosis, Metaphor, and Allegory in Latin Epic
89 -
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6 Tasso's Trees Epic and Local Culture
108 -
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7 Appropriating the Epic Gender, Caste, and Regional Identity in Middle India
131 - SECTION THREE The Boundaries of Epic Performance
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8 Problematic Performances: Overlapping Genres and Levels of Participation in Arabic Oral Epic-Singing
155 -
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9 Worshiping Epic Villains: A Kaurava Cult in the Central Himalayas1
169 - SECTION FOUR Epic and Lament
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10 The Natural Tears of Epic
189 -
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11 The Poetics of Loss in Greek Epic
203 -
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12 The Role of Lament in the Growth and Eclipse of Roman Epic
221 - SECTION FIVE Epic and Pedagogy
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13 Epics and the Politics of the Origin Tale: Virgil, Ovid, Spenser, and Native American Aetiology
239 -
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14 Walcott's Omeros The Classical Epic in a Postmodern World
270 -
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CONTRIBUTORS
297 -
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INDEX
301
Publishing information
Pages and Images/Illustrations in book
eBook published on:
March 31, 1999
eBook ISBN:
9780520919730
Pages and Images/Illustrations in book
Main content:
323
eBook ISBN:
9780520919730
Keywords for this book
epic tradition; epic; ancient literature; medieval literature; modern literature; joan palevsky imprint in classical literature series; epic poetry; oral epic; epic genre; anthropology; gender studies; homer; ancient greek literature; ancient roman literature; arabic literature; south slavic literature; indian literature; native american literature; italian literature; caribbean literature; english literature; authority; epic performance; lament; literary studies; national identity; human history