Kapitel in diesem Buch

1. Frontmatter I
2. CONTENTS IX
3. ACKNOWLEDGMENTS XI
4. SERIES EDITOR’S FOREWORD XIII
5. INTRODUCTION 1
6. PART I. Language and Literary Context
7. ONE. Sappho’s Amatory Language 11
8. TWO. Critical Stereotypes and the Poetry of Sappho 26
9. THREE. Phaethon, Sappho’s Phaon, and the White Rock of Leukas: “Reading” the Symbols of Greek Lyric 35
10. FOUR. Eros and Incantation: Sappho and Oral Poetry 58
11. PART II. Homer and the Oral Tradition
12. FIVE. Sappho and Helen 79
13. SIX. Gardens of Nymphs: Public and Private in Sappho’s Lyrics 89
14. PART III. Ritual and Social Context
15. SEVEN. Sappho’s Group: An Initiation into Womanhood 113
16. EIGHT. Sappho and Her Social Context: Sense and Sensuality 125
17. NINE. Romantic Sensuality, Poetic Sense: A Response to Hallett on Sappho 143
18. TEN. Who Sang Sappho’s Songs? 150
19. PART IV. Women’s Erotics
20. ELEVEN. Woman and Language in Archaic Greece, or, Why is Sappho a Woman? 175
21. TWELVE. Sappho’s Gaze: Fantasies of a Goddess and Young Man 193
22. THIRTEEN. The Justice of Aphrodite in Sappho 1 226
23. FOURTEEN. Apostrophe and Women’s Erotics in the Poetry of Sappho 233
24. FIFTEEN. Sappho and the Other Woman 248
25. BIBLIOGRAPHY 265
26. CONTRIBUTORS 287
27. INDEX 291