NOTES

Chapters in this book

1. Frontmatter I
2. Contents VII
3. ACKNOWLEDGEMENTS IX
4. INTRODUCTION 1
5. PART I. BASIC CONCEPTS
6. Chapter 1. Cinema and the Theory of Intertextuality 7
7. PART II. NARRATIVE'S WAY: D. W. GRIFFITH
8. Chapter 2. Repressing the Source: D. W. Griffith and Browning 51
9. Chapter 3. Intertextuality and the Evolution of Cinematic Language: Griffith and the Poetic Tradition 83
10. PART III. BEYOND NARRATIVE: AVANT-GARDE CINEMA
11. Chapter 4. Cinematic Language as Quotation: Cendrars and Léger 125
12. Chapter 5. Intertext against Intertext: Bunuel and Dali's Un Chien andalou 162
13. PART IV. THEORISTS WHO PRACTICED
14. Chapter 6. The Hero as an "Intertextual Body 193
15. Chapter 7. The Invisible Text as a Universal Equivalent 221
16. CONCLUSION 245
17. NOTES 255
18. WORKS CITED 283
19. INDEX 301