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Suspended Music
Chime-Bells in the Culture of Bronze Age China
Language:
English
Published/Copyright:
1994
About this book
The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, particularly during the Shang and Zhou dynasties (ca. 1700-221 B.C.). Lothar von Falkenhausen's rich and detailed study reconstructs how the music of these bells—the only Bronze Age instruments that can still be played—may have sounded and how it was conceptualized in theoretical terms. His analysis and discussion of the ritual, political, and technical aspects of this music provide a unique window into ancient Chinese culture.
This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.
This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.
Author / Editor information
von Falkenhausen Lothar :
Lothar von Falkenhausen is Assistant Professor of Art History at the University of California, Riverside.
Topics
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Frontmatter
I -
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Contents
VII -
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Illustrations
XI -
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List of Tables
XXI -
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Acknowledgments
XXIII -
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To the Reader
XXV -
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Introduction: Setting the Stage
1 - PART I: Rites, Technology, and Political Matrix
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1. Bells in a Bronze Age Culture
23 -
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2. Shape and Acoustic Properties of Chinese Musical Bells
67 -
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3. Chime-Bell Manufacture and Its Connotations
98 - PART II: The History of Chinese Musical Bells
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4. Origins and Early Development
129 -
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5. Perfection and Decline
158 -
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6. Playing the Bells
199 -
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7. The Tone Measurements and Their Interpretation
226 -
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8. Musical Theory through the Zeng Inscriptions
280 -
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9. Music Suspended: Tone Theory and Its Political Ramifications
310 - APPENDIX
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1. Bibliographical List of Archaeological Sites
325 -
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2. A Comprehensive, Typologically Arranged List of Chinese Musical Bells
349 -
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3. Bells from the Zhou Peripheries
374 -
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4. Tone Measurements
388 -
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GLOSSARY
402 -
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PLACE NAMES IN GEOGRAPHICAL ARRANGEMENT
406 -
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BIBLIOGRAPHY
415 -
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INDEX
463
Publishing information
Pages and Images/Illustrations in book
eBook published on:
March 16, 1994
eBook ISBN:
9780520911079
Pages and Images/Illustrations in book
Main content:
510
eBook ISBN:
9780520911079
Keywords for this book
chime bells; ancient chinese culture; music history; bronze age; music scholars; bronze age historians; china; chinese history; music historians; asian music studies; ritual music; shang dynasty; zhou dynasty; music criticism; world music; traditional music; ancient instruments; interdisciplinary; political music; ancient music; formation of culture; music and culture; bell music; cultural history; prehistory; musical instruments; archaeological