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In the Studio
Visual Creation and Its Material Environments
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Edited by:
Language:
English
Published/Copyright:
2020
About this book
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
Author / Editor information
Jacobson Brian R. :
Brian R. Jacobson is Professor of Visual Culture at the California Institute of Technology and the author of Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space.
Topics
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Frontmatter
i -
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Contents
v -
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Acknowledgments
vii -
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Introduction: Studio Perspectives
1 - Part one. Formations
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1 “The Longed-For Crystal Palace” Empire, Modernity, and Nikkatsu Mukōjima’s Glass Studio, 1913–1923
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2 Regulating Light, Interiors, and the National Image: Electrification and Studio Space in Silent-Era Brazil
42 -
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3 Ephemeral Studios: Exhibiting Televisual Spaces during the Interwar Years
63 - Part two. Foundations
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4 Estudios Churubusco: A Transnational Studio for a National Industry
85 -
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5 Pinewood Studios, the Independent Frame, and Innovation
103 -
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6 Backlots of the World War: Cinecittà, 1942–1950
122 - Part three. Alternative Routes
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7 The Film Train Stops at Mosfilm: Aleksandr Medvedkin and the Operative Film Factory
145 -
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8 Postindustrial Studio Lifestyle: The Eameses in the Environment of 901
166 -
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9 The Last Qualitative Scientist: Hollis Frampton and the Digital Arts Lab
192 - Part four. Studio Futures
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10 Made-for-Broadcast Cities
213 -
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11 The Nature of the Firm and the Nature of the Farm: Lucasfilm, the Campus, and the Contract
242 -
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12 “Make It What You Want It to Be” Logistics, Labor, and Land Financialization via the Globalized Free Zone Studio
261 -
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Selected bibliography
281 -
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Contributors
303 -
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Index
307
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 21, 2020
eBook ISBN:
9780520420724
Pages and Images/Illustrations in book
Main content:
324
eBook ISBN:
9780520420724
Keywords for this book
aleksandr medvedkin; charles eames; ray eames; eames brothers; hollis frampton; pinewood; cinecitt; churubusco; cbs; studio system; filmmaking; film; cinema; film history; media history; studio space; art studio; film studio; brazil; nikkatsu mukojima; glass studio; mosfilm; digital arts lab; creativity; arts production; film production; artists space; space theory; light; illumination; industry; lucasfilm; media studies; media technologies; production studio; architecture; technology