University of California Press
The Folk
About this book
Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.
Author / Editor information
Topics
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Frontmatter
i -
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Contents
vii -
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Illustrations
ix -
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Preface
xi -
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Introduction. Lost Voices
1 -
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1. Collecting Culture. Science, Technology, & Reification
18 -
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2. A Geography of the Forgotten. Vernacular Music & Modernity’s Discontents
46 -
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3. Utopian Community. Nostalgia from Marx to Morris
74 -
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4. Difference and Belonging. On the Songs of Black Folk
104 -
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5. Soul through the Soil. Cecil Sharp & the Specter of Fascism
132 -
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Coda. Blood Sings: A Soundtrack for the Alt- Right
159 -
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Notes
179 -
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Bibliography
225 -
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Index
249