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Austere Luminosity of Chinese Classical Furniture
Language:
English
Published/Copyright:
2002
About this book
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the Shang dynasty (c. 1500 to c. 1050 B.C.) to the present. She offers a fascinating and poetic view of Chinese furniture as functional sculpture, a fine art alongside the other Chinese arts of calligraphy, architecture, painting, and literature.
Handler, a widely respected scholar of Chinese furniture, uses her knowledge of Chinese social, political, and economic history to provide a backdrop for understanding the many nuances of this art form. Drawing on literary and visual evidence from excavated materials, written texts, paintings, prints, and engravings, she discusses how people lived, their notions of hierarchy, and their perceptions of space. Her descriptions of historical developments, such as the shift from mats to chairs, evoke the psychological and sociological ramifications.
The invention of a distinctive way to support and contain people and things within the household is one of China's singular contributions, says Handler. With more than three hundred exquisite illustrations, many in color, Handler's comprehensive study reveals "the magical totality of Chinese classical furniture, from its rich surfaces and shrewd proportions down to the austere soul of art that resides in the hardwood interiors." Austere Luminosity recognizes Chinese classical furniture as one of China's premier arts, unique in the furniture traditions of the world.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2002.
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the S
Handler, a widely respected scholar of Chinese furniture, uses her knowledge of Chinese social, political, and economic history to provide a backdrop for understanding the many nuances of this art form. Drawing on literary and visual evidence from excavated materials, written texts, paintings, prints, and engravings, she discusses how people lived, their notions of hierarchy, and their perceptions of space. Her descriptions of historical developments, such as the shift from mats to chairs, evoke the psychological and sociological ramifications.
The invention of a distinctive way to support and contain people and things within the household is one of China's singular contributions, says Handler. With more than three hundred exquisite illustrations, many in color, Handler's comprehensive study reveals "the magical totality of Chinese classical furniture, from its rich surfaces and shrewd proportions down to the austere soul of art that resides in the hardwood interiors." Austere Luminosity recognizes Chinese classical furniture as one of China's premier arts, unique in the furniture traditions of the world.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2002.
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the S
Author / Editor information
Handler Sarah :
An historian of Chinese art, Sarah Handler was Curator of the Museum of Classical Chinese Furniture and has taught at the University of California, Los Angeles, University of Illinois, and the University of Michigan. She has published widely in journals, collected volumes, and is coauthor, with Nancy Berliner, of Friends of the House: Furniture from China's Towns and Villages (1996). She also edited and translated from the Chinese Wang Shixiang's Classic Chinese Furniture: Ming and Early Qing Dynasties (1986).
Topics
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Frontmatter
I -
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CONTENTS
IX -
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ACKNOWLEDGMENTS
XI -
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CHRONOLOGY OF DYNASTIES
XIII -
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INTRODUCTION
1 - REVOLUTION AND DISCOVERY
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1. RISING FROM MAT TO CHAIR
9 -
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2. A MING MEDITATION CHAIR IN BAUHAUS LIGHT
25 -
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3. GEORGE KATES DISCOVERING CHINESE FURNITURE DURING THE YEARS THAT WERE FAT
36 - CHAIRS
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4. A YOKEBACK CHAIR FOR SITTING TALL
43 -
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5. THE FOLDING ARMCHAIR
60 -
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6. THE LOWBACK ARMCHAIR WITH CARVINGS OF BAMBOO, MAGIC FUNGI, OR THE THREE FRIENDS OF WINTER
72 -
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7. A UBIQUITOUS STOOL
82 - BEDS
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8. LIFE ON A PLATFORM
105 -
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9. A COUCHBED DAY AND NIGHT FOR COMFORT AND JOY
122 -
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10. THE CANOPY BED
139 - TABLES
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11. ON A NEW WORLD AROSE
161 -
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12. A SQUARE TABLE WHERE THE I M M O R T A L S DINE
180 -
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13. A CLEAN TABLE BY A BRIGHT WINDOW
203 -
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14. THE SIDE TABLE
224 - CABINETS AND SCREENS
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15. CABINETS AND SHELVES CONTAINING ALL THINGS IN CHINA
241 -
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16. THE SCREEN
268 - STANDS
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17. THE INCENSE STAND AND A SCHOLAR'S MYSTICAL STATE
295 -
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18. LAMP STANDS AND LANTERNS
303 -
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19. PERFUMED COALS IN PRECIOUS BRAZIERS BURN
319 -
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20. WASHBASIN STANDS FOR ABLUTIONS AND WASHING CLEAN
332 -
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NOTES
345 -
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WORKS CITED
373 -
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GLOSSARY-INDEX
395
Publishing information
Pages and Images/Illustrations in book
eBook published on:
December 22, 2023
eBook ISBN:
9780520353336
Edition:
Ahmanson Foundation Book in the Humanities, Reprint 2020
Pages and Images/Illustrations in book
Main content:
417
eBook ISBN:
9780520353336