Kapitel in diesem Buch

1. Frontmatter I
2. PREFACE VII
3. CONTENTS XI
4. PART 1. THE AZTEC AREA
5. 1. THE CHALLENGE OF AZTEC MUSIC 3
6. 2. AZTEC MUSIC AT CONTACT: A SURVEY OF EXISTING LITERATURE 12
7. THE "AZTEC" RENAISSANCE 16
8. METHODS USED BY CONTEMPORARY SCHOLARS IN THE STUDY OF PRECONQUEST MUSIC 17
9. AZTEC MUSICAL INSTRUMENTS IN MUSEUMS AND CODICES 18
10. ALPHABETICAL SYNOPSIS 30
11. REACTION OF EUROPEAN-BORN OBSERVERS TO ABORIGINAL MUSIC 85
12. CONTRIBUTION OF THE MISSIONARIES TO OUR UNDERSTANDING OF INDIAN CULTURE 86
13. CONCLUSIONS DRAWN FROM SIXTEENTH-CENTURY REPORTS BY EYEWITNESSES 88
14. PEDRO DE GANTE (1480?-1572) 91
15. TORIBIO DE MOTOLINÍA (1490?-1565) 95
16. BERNARDINO DE SAHAGÚN (1500?-1590) 100
17. FRANCISCO LÓPEZ DE GOMARA (1511-1566?) 105
18. ALONSO DE MOLINA (1514?-1585) 106
19. DIEGO DE LANDA (1524-1579) 107
20. DIEGO DURÁN (1537-1588) 108
21. GERÓNIMO DE MENDIETA (1525-1604) 111
22. ANTONIO DE CIBDAD REAL ( = CIUDAD REAL) (1551-1617) 115
23. SEVENTEENTH- AND EIGHTEENTH-CENTURY REDACTORS 119
24. ABSENCE OF MUSICAL QUOTATIONS IN SIXTEENTH-CENTURY CHRONICLES OF PRECONQUEST LIFE 120
25. THE MELODIC SYSTEM OF THE EARLY ABORIGINES 125
26. XTOLES 139
27. SINFONiA INDIA 144
28. FUTURE OF AZTEC RESEARCH 152
29. 3. ACCULTURATION: THE COLONIAL PHASE 154
30. THE RESULTING SUPERFLUITY OF INDIAN SINGERS AND INSTRUMENTALISTS 167
31. THE MUSICAL ACHIEVEMENT OF INDIAN CHOIRS 171
32. MUSIC PRINTING DURING THE SIXTEENTH CENTURY 172
33. DESCRIPTION OF SIXTEENTH-CENTURY MEXICAN IMPRINTS CONTAINING MUSIC 174
34. PRESENT-DAY SIGNIFICANCE OF SIXTEENTH-CENTURY MUSIC IMPRINTS 200
35. A POSTHUMOUS IMPRINT (1604) 201
36. GEBRAUCHSMUSIK IN NEW SPAIN 207
37. MUSIC IN COMMEMORATIVE ACTS 208
38. INDIAN PARTICIPATION IN PUBLIC GALAS 211
39. TWO AZTECAN CHANZONETAS (ca. 1599) 212
40. SECULAR MUSIC AND MUSICIANS IN THE YOUNG COLONY 229
41. PART II. THE INCA AREA
42. 1. INSTRUMENTS USED BY THE INCAS AND THEIR PREDECESSORS 251
43. antaras 253
44. pincollos (= pincullus) and quenaquenas 263
45. qquepas 264
46. DICTIONARY NAMES FOR INSTRUMENTS 266
47. LITERARY ALLUSIONS 269
48. 2. MUSIC TEACHING IN THE INCA AREA: BEFORE AND AFTER THE CONQUEST 282
49. MISSIONARY METHODS AND REPERTORY 285
50. SECULAR MUSICIANS OF THE CONQUEST EPOCH 297
51. 3. PERUVIAN "FOLK MUSIC," 1500-1790: LITERARY AND MUSICAL SOURCES FOR A FRESH STUDY 301
52. BERNABÉ COBO (1572-1659) 305
53. CUZCO FESTIVAL (1610) 306
54. THE YARAVÍ 307
55. NEGRO FOLK MUSIC 311
56. ANTONIO PEREYRA Y RUIZ' AREQUIPA "NOTICE" 313
57. GREGORIO DE ZUOLA (1645?-1709) 314
58. AMÉDÉE FRANÇOIS FRÉZIER (1682-1773) 320
59. BALTASAR JAIME MARTINEZ COMPAÑÓN (1737-1797) 321
60. LATE COLONIAL "SOCIETY" DANCE MUSIC 329
61. BOLIVIAN INDIAN MUSIC 332
62. BIBLIOGRAPHY 343
63. INDEX 373