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Seeing Is Believing in Enoch Arden

© 1995 University of California Press, Berkeley

© 1995 University of California Press, Berkeley

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents V
  3. Illustrations IX
  4. Contributors XV
  5. INTRODUCTION XIX
  6. Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves 1
  7. Shared Lines: Pen and Pencil as Trace 27
  8. Image versus Text in the Illustrated Novels of William Makepeace Thackeray 60
  9. "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph 88
  10. Dust Piles and Damp Pavements: Excrement, Repression, and the Victorian City in Photography and Literature 111
  11. Making Darkness Visible: Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction 134
  12. Victoria's Sovereign Obedience: Portraits of the Queen as Wife and Mother 169
  13. The Author as Spectacle and Commodity: Elizabeth Barrett Browning and Thomas Hardy 198
  14. The Hero as Spectacle: Carlyle and the Persistence of Dandyism 213
  15. Street Figures: Victorian Urban Iconography 233
  16. Seeing the Unseen: Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life 264
  17. John Millais's Children: Faith and Erotics: The Woodman's Daughter (I8SI) 289
  18. Seeing Is Believing in Enoch Arden 313
  19. Spectacular Sympathy: Visuality and Ideology in Dickens's A Christmas Carol 327
  20. Reading Figures: The Legible Image of Victorian Textuality 345
  21. Index 369
Victorian Literature and the Victorian Visual Imagination
Ein Kapitel aus dem Buch Victorian Literature and the Victorian Visual Imagination
https://doi.org/10.1525/9780520311169-016

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents V
  3. Illustrations IX
  4. Contributors XV
  5. INTRODUCTION XIX
  6. Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves 1
  7. Shared Lines: Pen and Pencil as Trace 27
  8. Image versus Text in the Illustrated Novels of William Makepeace Thackeray 60
  9. "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph 88
  10. Dust Piles and Damp Pavements: Excrement, Repression, and the Victorian City in Photography and Literature 111
  11. Making Darkness Visible: Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction 134
  12. Victoria's Sovereign Obedience: Portraits of the Queen as Wife and Mother 169
  13. The Author as Spectacle and Commodity: Elizabeth Barrett Browning and Thomas Hardy 198
  14. The Hero as Spectacle: Carlyle and the Persistence of Dandyism 213
  15. Street Figures: Victorian Urban Iconography 233
  16. Seeing the Unseen: Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life 264
  17. John Millais's Children: Faith and Erotics: The Woodman's Daughter (I8SI) 289
  18. Seeing Is Believing in Enoch Arden 313
  19. Spectacular Sympathy: Visuality and Ideology in Dickens's A Christmas Carol 327
  20. Reading Figures: The Legible Image of Victorian Textuality 345
  21. Index 369
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