Home Literary Studies Lineages of the Present: Mukul Kesavan’s Looking Through Glass and India’s Embattled Secularism
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Lineages of the Present: Mukul Kesavan’s Looking Through Glass and India’s Embattled Secularism

  • Someshwar Sati
Published/Copyright: March 15, 2014
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Abstract

Mukul Kesavan’s Looking Through Glass (1995) is a remarkable piece of historiographical metafiction that imaginatively reconstructs the final years of India’s national movement. For this reason, it provides us with rich material to explore the relationship between the postcolonial narrative of the Indian nation and the anticolonial energies of the independence movement. But more importantly, as the present article argues, Kesavan’s novel locates in the national movement’s inability to resist the communal interpolation of its politics the genesis of contemporary India’s “embattled secularism,” particularly after the sudden rise into prominence in the 1980s and ‘90s of a right wing Hindu nationalist political party. How does this narrative deconstruct the ‘nationalist’ projections of this movement as a revolutionary spectacle? Why and how does this narrative seek to undermine the language of high theatre usually used in ‘nationalist’ accounts of this movement? These are some of the other questions which my article seeks to critically engage with.

Online erschienen: 2014-03-15
Erschienen im Druck: 2010-04

© 2014 by Walter de Gruyter GmbH & Co.

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