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Feminist Interpretations of Reality: Documentary Cinema and the Women’s Movement in India
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Madhumeeta Sinha
Published/Copyright:
March 15, 2014
Abstract
This paper places feminist documentary film-making in the context of the women’s movement in India. More specifically, it examines some of the widely-debated concerns and strategies that have animated feminist documentary film-making in India through an analysis of two important films: Deepa Dhanraj’s Something Like a War and Reena Mohan’s Skin Deep
Online erschienen: 2014-03-15
Erschienen im Druck: 2009-01
© 2014 by Walter de Gruyter GmbH & Co.
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- Introduction: Globalisation, the National-Popular, and Contemporary Indian Cinema
- Religious and Nationalist Trends in Modern Bollywood Cinema
- Feminist Interpretations of Reality: Documentary Cinema and the Women’s Movement in India
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- Currying the Victorian Novel: Mira Nair’s ‘Indianised’ Version of Vanity Fair
- Buchbesprechungen
- Bucheingänge
- Die Autoren dieses Heftes
Articles in the same Issue
- Titelei
- Inhalt
- Editorial
- Introduction: Globalisation, the National-Popular, and Contemporary Indian Cinema
- Religious and Nationalist Trends in Modern Bollywood Cinema
- Feminist Interpretations of Reality: Documentary Cinema and the Women’s Movement in India
- Towards a Trans-National Indian Identity? Versions of Hybridity in Bollywood Film and Film Music
- Spicing up the Austen Cult: Negotiating Bollywood, Hollywood, and Heritage Aesthetics in Bride and Prejudice
- Gurinder Chadha’s ‘Commodified Hybrid Utopia’: The Programmatic Transculturalism and Culture-Specific Audience Address of Bride and Prejudice
- Their Own Game: Cricket as a Symbolic Postcolonial Battlefield in Film
- Currying the Victorian Novel: Mira Nair’s ‘Indianised’ Version of Vanity Fair
- Buchbesprechungen
- Bucheingänge
- Die Autoren dieses Heftes
