Article
Publicly Available
Frontmatter
Published/Copyright:
March 18, 2022
Published Online: 2022-03-18
Published in Print: 2022-03-28
© 2022 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- The Aesthetics and Politics of Elemental Agency
- Sounds Like America: The Elemental Politics of Walt Whitman and John Luther Adams
- Resisting (through) the Elements of Race: A Fugitive Humanist Reading of Colson Whitehead’s The Underground Railroad
- The Slimic Imagination and Elemental Eco-Horror
- Surfacing Ecological Disaster: Poets for Living Waters and the Deepwater Horizon Oil Spill
- Filmic Gold: The Elemental Aesthetics of the Klondike Gold Rush in Bill Morrison’s Dawson City: Frozen Time (2016)
- Book Reviews
- John B. Thompson: Book Wars: The Digital Revolution in Publishing
- Arvind Thomas: Piers Plowman and the Reinvention of Church Law in the Late Middle Ages
- María J. Lopez and Pilar Villar-Argáiz: Secrecy and Community in 21st-Century Fiction
- Books Received
- Books Received
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- The Aesthetics and Politics of Elemental Agency
- Sounds Like America: The Elemental Politics of Walt Whitman and John Luther Adams
- Resisting (through) the Elements of Race: A Fugitive Humanist Reading of Colson Whitehead’s The Underground Railroad
- The Slimic Imagination and Elemental Eco-Horror
- Surfacing Ecological Disaster: Poets for Living Waters and the Deepwater Horizon Oil Spill
- Filmic Gold: The Elemental Aesthetics of the Klondike Gold Rush in Bill Morrison’s Dawson City: Frozen Time (2016)
- Book Reviews
- John B. Thompson: Book Wars: The Digital Revolution in Publishing
- Arvind Thomas: Piers Plowman and the Reinvention of Church Law in the Late Middle Ages
- María J. Lopez and Pilar Villar-Argáiz: Secrecy and Community in 21st-Century Fiction
- Books Received
- Books Received