“Disjoint and Out of Frame”: Hamlet and the Problem of Synchrony
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Johannes Schlegel
Abstract
Hamlet stages problems of immanent synchrony that can be described as both motor and product of specific temporalities. By contemplating different timelines and even problematising the notion of linear time itself, Shakespeare’s tragedy illustrates that de/synchronisation relies on cultural techniques, which, in the context of the play, consist of the basic operations of calculating, representing, and commanding. At the same time, however, synchronisation proves to be inevitably recursive as it always already necessitates further operations. As this reading of Hamlet shows, the relevance of cultural techniques becomes apparent when it is understood as a heterogeneous arrangement in which technical-practical, aesthetic, symbolic, and political concepts interact.
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Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- Cultural Techniques of Literature: Introduction
- “Of Barbarouse People and What Miserable Lyves They Leade” – William Thomas’s Tana and Persia and the Cultural Techniques of Early Modern Translation
- “Disjoint and Out of Frame”: Hamlet and the Problem of Synchrony
- The Posthumanist Technological Sublime as Cultural Technique: Poe’s “The Man That Was Used Up”
- Cultural Techniques, Media History, and the Art of Poetry: T.S. Eliot’s Four Quartets
- On Cartographic Techniques in Literature
- Cultural Techniques and the Politics of Detail: Tom McCarthy’s Remainder and/as Media Theory
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- Cultural Techniques of Literature: Introduction
- “Of Barbarouse People and What Miserable Lyves They Leade” – William Thomas’s Tana and Persia and the Cultural Techniques of Early Modern Translation
- “Disjoint and Out of Frame”: Hamlet and the Problem of Synchrony
- The Posthumanist Technological Sublime as Cultural Technique: Poe’s “The Man That Was Used Up”
- Cultural Techniques, Media History, and the Art of Poetry: T.S. Eliot’s Four Quartets
- On Cartographic Techniques in Literature
- Cultural Techniques and the Politics of Detail: Tom McCarthy’s Remainder and/as Media Theory
