‘Imprison Cleon, Kill the Dead!’
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Orestis Karatzoglou
received his Ph.D. in Classical Philology from the University of Illinois at Urbana-Champaign. His dissertation, entitledOrestis Karatzoglou Self and Body in Plato , examines the contribution of the body in the constitution of personal identity in Platonic philosophy. His current research focuses on the use of metaphors from the realm of the senses to describe semantic knowledge in Homer and the Presocratics. He has taught at the University of Illinois at Urbana-Champaign.
Abstract
Cleon was killed in the battle of Amphipolis in 422 BCE, but he is referred to as alive in the first parabasis of the Clouds (591–594). This reference is customarily understood as simply a remnant of the first version of the play, which the author failed to integrate seamlessly into the surviving, revised version. Comparison with Pylaemenes, an Iliadic character of Paphlagonian origin, who is killed in Book 5 but reappears alive in Book 13, renders the reference to Cleon intelligible as an allusive joke.
About the author
Orestis Karatzoglou received his Ph.D. in Classical Philology from the University of Illinois at Urbana-Champaign. His dissertation, entitled Self and Body in Plato, examines the contribution of the body in the constitution of personal identity in Platonic philosophy. His current research focuses on the use of metaphors from the realm of the senses to describe semantic knowledge in Homer and the Presocratics. He has taught at the University of Illinois at Urbana-Champaign.
Acknowledgements
I would like to thank the anonymous reviewers for their useful suggestions and comments.
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Articles in the same Issue
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- ‘Imprison Cleon, Kill the Dead!’
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Articles in the same Issue
- Titelseiten
- Implicit and Explicit Words of Wisdom in Aeschylus and in Prometheus Bound: A Laconically Generalizing Titan and a Densely Lavish Poet
- ‘Imprison Cleon, Kill the Dead!’
- Μισούμενα on the Misoumenos: Neglected Tables of Fractions in P.Oxy. XXXIII 2656
- Contest of Poetry in Alexandria: Call. Ia. 1, 13, Herod. Mim. 8, al.
- The Wound and the Kiss: The Morbid Pleasures of Post-Theocritean Aesthetics
- A Strange Epigram and the Date of Hegesander
- Occult(um) Aeaciden: Elisions of gender in Statius’ Achilleid