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Return of the referent: Italian cinema for the new millennium
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Millicent Marcus
Published/Copyright:
March 17, 2011
Abstract
Focusing with special intensity on scenes that feature still photographs in the Italian films Blow-Up, Three Brothers, and The One Hundred Steps, this paper traces a progressive return to the neorealist call for a cinema of truth-telling on the threshold on the new millennium.
Published Online: 2011-03-17
Published in Print: 2011-February
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/New York
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- Post-modernism, post-structuralism, post-semiotics? Sign theory at the fin de siècle
- Postmodernity as the unmasking of objectivity: Identifying the positive essence of postmodernity as a distinct new era in the history of philosophy
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- Nusrat Fateh Ali Khan: the strange destiny of a singing mystic. When music travels . . .
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