Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
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Georgij Yu. Somov
Abstract
Connotations as part and parcel of human communication are found in the course of semiotic analysis of works of visual art. Developed connotative formations, deeply connected with semantics, are revealed during analysis of some masters and trends of this kind of art. The works by Bellini are characterized by developed connotative sign formations, which are included into intentional, identification, and organizing codes, and form the basis of the creative-emotional impact and the composition of the works. Connotative formations of Bellini's pictures contain basic visually active elements — massive contours, color configurations, moving directions of the basic denoted objects. Bellini's connotative approach was continued in the works of his great followers.
© 2010 Walter de Gruyter GmbH & Co. KG, Berlin/New York
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- Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
Articles in the same Issue
- Reflexivity and self-augmentation
- Le phénomène interartistique
- Two notions of indexicality
- The highway code in Nigeria: Examples of domestic strategies
- The black box of translation: A glassy essence
- The performative potential of metaphor
- Whiteness matters: What lies in the future?
- Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
