Light and shadow: Painting the incarnation mystery (Notes on Orazio Gentileschis Annunciation)

Articles in the same Issue

1. Introduction I
2. Introduction II
3. Unruly photons: Or, why cant colors march to the band of secondness?
4. Light and the living cell
5. The pencils of nature and culture: New light on and in the Lifeworld
6. Light, being, and time
7. Two thirteenth-century theories of light: Robert Grosseteste and St. Bonaventure
8. The light-color problem in Wittgenstein
9. Being energy and light
10. From the eloquence of light to the splendor of the word
11. Light permits knowing: Three metaphorological principles for the study of abstract concept-formation
12. Light as a metaphor of science: A pre-established disharmony
13. Light between sacred and profane: Victoria Welby from biblical exegesis to significs
14. A lantern for the feet of inquirers: The heuristic function of the Peircean categories
15. Light as matter
16. Light as an original metaphor
17. Lamps of republican consciousness in the work of Pierre-Jean-Georges Cabanis
18. The signs of light and the response of wonder and envy
19. Les signes de la lumière: Hypothèses sur lunité historique de la connaissance
20. A witness of light
21. At the edge of darkness: The penumbra of John Keats
22. On seeing: Light in Leopardi and Baudelaire
23. Light and symbol in Maurice Maeterlincks LOiseau bleu
24. The outsider in Camuss Létranger
25. Writing and designing light
26. Light and performance: A few methodological remarks
27. The resurrection of light: The pictorial work of art as a paradigm of the visible
28. Light and shadow: Painting the incarnation mystery (Notes on Orazio Gentileschis Annunciation)
29. The meaning of light in Titians Danaë
30. The voyage out: Subversion out of suspicion in literature and photography
31. Photographs: A photo essay
32. Light my fire: Fashion and music
33. City of light, city of shade: The worldwide megalopolis and the feeling of our contemporary fears
34. Light and signs of listening
35. The semiosis of light in music: From synaesthesias to narratives