Home The performance as an ’interpretant’ of the drama
Article
Licensed
Unlicensed Requires Authentication

The performance as an ’interpretant’ of the drama

  • ERIKA FISCHER-LICHTE
Published/Copyright: November 29, 2009
Semiotica
From the journal Volume 64 Issue 3-4

Published Online: 2009-11-29
Published in Print: 1987

Walter de Gruyter

Articles in the same Issue

  1. Titelei
  2. The performance as an ’interpretant’ of the drama
  3. Negotiating the mimetic contract in film
  4. Q-analysis and literary structure: A multi-dimensional representation of poetic relations
  5. Métaphore, repères et phonétique
  6. Power-and-difference: An essay in semiotic ontology
  7. A semiotic approach to prospection in Shelley
  8. The poet’s body: Toward a semiotic of Whitman and Rimbaud
  9. A problem of genre: Two theories of autobiography
  10. Dress right, dress: The Boy Scout uniform as a folk costume
  11. Field dependence and sensitivity to facial affect cues
  12. Review article
https://doi.org/10.1515/semi.1987.64.3-4.197

Articles in the same Issue

  1. Titelei
  2. The performance as an ’interpretant’ of the drama
  3. Negotiating the mimetic contract in film
  4. Q-analysis and literary structure: A multi-dimensional representation of poetic relations
  5. Métaphore, repères et phonétique
  6. Power-and-difference: An essay in semiotic ontology
  7. A semiotic approach to prospection in Shelley
  8. The poet’s body: Toward a semiotic of Whitman and Rimbaud
  9. A problem of genre: Two theories of autobiography
  10. Dress right, dress: The Boy Scout uniform as a folk costume
  11. Field dependence and sensitivity to facial affect cues
  12. Review article
Sign up now to receive a 20% welcome discount
Institutional Access
How does access work?
Have an idea on how to improve our website?
Please write us.
© 2025 De Gruyter Brill
Downloaded on 22.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/semi.1987.64.3-4.197/html
Scroll to top button