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Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research

  • Irene Theodosopoulou EMAIL logo
Veröffentlicht/Copyright: 15. Februar 2019

Abstract

This text is a first attempt of approaching traditional music, musical/poetic structures and ethnographic research semiotically. The basic elements of traditional music (motives, rhythms, phonetics, performance speeds, modal systems, musical instruments, repertoire), the musical/poetic structures with morphological types and formulas (musical and poetic), musical and non-musical codes (verbal and nonverbal) during a musical performance (nods, movements, etc.) as well as the ethnographic research itself with its own “performances” (discussions with musicians, recordings, transcriptions, analyses) constitute groups of “signs” and codes that, combined together, create complex frames of meanings and re-definitions not only among musicians and revelers but also among ethnographers and their interlocutors and among ethnographic “texts” and their representations after multiple readings. This text presents elements that emerged after an enduring field research in Crete (1998–2008). The use of semiotics in the study of traditional music and musical analysis can constitute a useful analysis tool for ethnographic research from planning to composing ethnographic “texts” (texts, transcriptions, analyses). This text highlights the necessity of initiating a dialogue concerning the aspects and perspectives of a semiotic approach to musicology and music ethnography.

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Published Online: 2019-02-15
Published in Print: 2019-07-26

© 2019 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Spontaneous emergence of language-like and music-like vocalizations from an artificial protolanguage
  3. A sociological analysis of moves in the formation of Iranian epitaphs
  4. Sign systems: The dawn of earliest mankind
  5. L’ambigüité structurale et l’acquisition des compétences linguistiques en français en passant par la langue maternelle
  6. The corporeal meaning of language: A semiotic approach to musical glossolalia
  7. Bringing back the image into its frame: Barthes’ soldier and the contextual frame of human perception and interpretation of signs
  8. Context-based analysis of an advertising poster
  9. Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research
  10. The theory of synesthesia according to the Pythagorean tradition and Nabokov’s revisiting of Pythagorean synesthesia
  11. “Do you understand these charges?”: How procedural communication in youth criminal justice court violates the rights of young offenders in Canada
  12. Between the institution and the individual: What walking in a place that includes institutional heritage discloses
  13. Finite semiotics: Cognitive sets, semiotic vectors, and semiosic oscillation
  14. The “Fiat 500L” commercial: A journey into Italian style
  15. Epiepistemology/neuro-semantic programming
  16. Diagrams and mental figuration: A semio-cognitive analysis
  17. Perelman’s phenomenology of rhetoric: Foucault contests Chomsky’s complaint about media communicology in the age of Trump polemic
  18. Semiotic and discursive consequences of the cybertextual condition: The case of tragedy
  19. Signizing: The root of the functions of the intentional sign
  20. Review Article
  21. Vital signs: The Darwinian semiotics of beauty in the animal and human worlds
Heruntergeladen am 12.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/sem-2017-0123/html
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