Dinner is ready! Studying the dynamics and semiotics of dinner
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Yair Neuman
Yair Neuman (b. 1968) is a department chair at Ben-Gurion University of the Negev 〈yneuman@bgu.ac.il〉. His research interests include semiotics, psychology, cultural psychology, and natural language processing. His publications includeReviving the Living: Meaning making in living systems (2008); “Automatic identification of themes in small group dynamics through the analysis of network motifs” (with D. Assaf & Y. Cohen, 2012); and “How language enables abstraction: A case study in computational cultural psychology” (with P. Turney & Y. Cohen, 2012)., Norbert Marwan
Norbert Marwan (b. 1973) is deputy chair of research at Potsdam Institute for Climate Impact Research 〈Marwan@pik-potsdam.de〉. His research interests include nonlinear data analysis with interdisciplinary applications, recurrence plots, and complex networks. His publications include “Recurrence plots for the analysis of complex systems” (with M. C. Romano et al., 2006); “Complex network approach for recurrence analysis of time series” (with J. F. Donges et al., 2009); “Nonlinear detection of paleoclimate-variability transitions possibly related to human evolution” (with J. F. Donges et al., 2011); “Development and disintegration of Maya political systems in response to climate change” (with D. J. Kennett et al., 2012).Daniel M. Unger (b. 1964) is a department chair at Ben-Gurion University of the Negev 〈dannu@bgu.ac.il〉. His research interests include political and diplomatic art history in early modern Italy, and food in art. His publications include “The yearning for the Holy Land in Agucchi'sProgram for Erminia and the Shepherds ” (2008);Guercino's Paintings and His Patrons' Politics in Early Modern Italy (2010); “Guercino's Private Guercinos” (2011); “The pope, the painter, and the dynamics of social standing in the Stanza della Segnatura” (2012).
Abstract
Dinner, as the main meal in the West, is a symbolically laden practice. In this paper, we seek to better understand the cultural meaning of dinner by using a unique combination of a sophisticated quantitative methodology for studying non-linear dynamics and a careful interpretative cultural semiotic analysis. By using the Corpus of Historical American English, we retrieved the words significantly collocated with “Dinner” along 200 years. Using joint recurrence analysis, we have identified the words that synchronize with each other in a non-linear fashion and used them for constructing a representation of Dinner's semiotic field. By analyzing the graph, it was found that “Soup” is the main concept associated with the practice of Dinner along 200 years. The meaning of this finding is interpreted by proposing a semiotic explanation pointing to the “surplus” of soup in the semio-sphere of the Western culture.
About the authors
Yair Neuman (b. 1968) is a department chair at Ben-Gurion University of the Negev 〈yneuman@bgu.ac.il〉. His research interests include semiotics, psychology, cultural psychology, and natural language processing. His publications include Reviving the Living: Meaning making in living systems (2008); “Automatic identification of themes in small group dynamics through the analysis of network motifs” (with D. Assaf & Y. Cohen, 2012); and “How language enables abstraction: A case study in computational cultural psychology” (with P. Turney & Y. Cohen, 2012).
Norbert Marwan (b. 1973) is deputy chair of research at Potsdam Institute for Climate Impact Research 〈Marwan@pik-potsdam.de〉. His research interests include nonlinear data analysis with interdisciplinary applications, recurrence plots, and complex networks. His publications include “Recurrence plots for the analysis of complex systems” (with M. C. Romano et al., 2006); “Complex network approach for recurrence analysis of time series” (with J. F. Donges et al., 2009); “Nonlinear detection of paleoclimate-variability transitions possibly related to human evolution” (with J. F. Donges et al., 2011); “Development and disintegration of Maya political systems in response to climate change” (with D. J. Kennett et al., 2012).
Daniel M. Unger (b. 1964) is a department chair at Ben-Gurion University of the Negev 〈dannu@bgu.ac.il〉. His research interests include political and diplomatic art history in early modern Italy, and food in art. His publications include “The yearning for the Holy Land in Agucchi's Program for Erminia and the Shepherds” (2008); Guercino's Paintings and His Patrons' Politics in Early Modern Italy (2010); “Guercino's Private Guercinos” (2011); “The pope, the painter, and the dynamics of social standing in the Stanza della Segnatura” (2012).
©2014 by Walter de Gruyter Berlin/Munich/Boston
Articles in the same Issue
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
- Translation, materiality, intersemioticity: Excursions in experimental literature
- Teleological historical narrative as a strategy for constructing political antagonism: The example of the narrative of Estonia's regaining of independence
- Testing the limits of oral narration
- How to do things with websites: Reconsidering Austin's perlocutionary act in online communication
- Fashionable yet strategic similarities: Diego Velázquez's creative consciousness seen through Saussurean-Hegelian composite approach
- Piaget's system of spatial logic: The semiosis of index
- The types of codes and their combinations: Visual perception and visual art
- Minimal acting: On the existential gap between theatre and performance art
- Visual semiotics and the national flag: A Kenyan perspective of Anglo-America's globe-cultural domination through mainstream music videos
- Dinner is ready! Studying the dynamics and semiotics of dinner
- Linking transculturality and transdisciplinarity
- Towards a semiotic theory of historico-cultural cycles: The semiotic contours of Spengler's “prime symbols”
- The taxicab-hailing encounter: The politics of gesture in the interaction order
- A semiotic model of visual change
- Semiotics, theatre, and the body: The performative disjunctures between theory and praxis
- On Peirce's diagrammatic models for ten classes of signs
- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
- The dialogic lacuna in Fenves's Messianic Reduction: Walter Benjamin and the Shape of Time
Articles in the same Issue
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
- Translation, materiality, intersemioticity: Excursions in experimental literature
- Teleological historical narrative as a strategy for constructing political antagonism: The example of the narrative of Estonia's regaining of independence
- Testing the limits of oral narration
- How to do things with websites: Reconsidering Austin's perlocutionary act in online communication
- Fashionable yet strategic similarities: Diego Velázquez's creative consciousness seen through Saussurean-Hegelian composite approach
- Piaget's system of spatial logic: The semiosis of index
- The types of codes and their combinations: Visual perception and visual art
- Minimal acting: On the existential gap between theatre and performance art
- Visual semiotics and the national flag: A Kenyan perspective of Anglo-America's globe-cultural domination through mainstream music videos
- Dinner is ready! Studying the dynamics and semiotics of dinner
- Linking transculturality and transdisciplinarity
- Towards a semiotic theory of historico-cultural cycles: The semiotic contours of Spengler's “prime symbols”
- The taxicab-hailing encounter: The politics of gesture in the interaction order
- A semiotic model of visual change
- Semiotics, theatre, and the body: The performative disjunctures between theory and praxis
- On Peirce's diagrammatic models for ten classes of signs
- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
- The dialogic lacuna in Fenves's Messianic Reduction: Walter Benjamin and the Shape of Time