Types of dialogue: Echo, deaf, and dialectical
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David Fishelov
David Fishelov (b. 1954) is an associate professor at the Hebrew University of Jerusalem 〈fishelov@mscc.huji.ac.il 〉. His research interests include genre theory, poetic simile, adaptations of biblical Samson, and intertextuality. His publications includeMetaphors of genre: The role of analogies in genre theory (1993);Like a rainfall: Studies in poetic simile (in Hebrew, 1996);Samson's locks: The transformations of biblical Samson (in Hebrew, 2000); andDialogues with/and great books: The dynamics of canon formation (2010).
Abstract
In order to offer a typology of dialogue that captures the complex and multifaceted nature of dialogues, we should take into account two factors: (1) the basic kind of interaction between the two interlocutors; the wide variety of specific interactions can be grouped under three general headings: echo-dialogue, whereby one participant repeats what the other has said; dialogue-of-the-deaf, whereby the two participants neither listen to nor understand one another; and dialectical-dialogue, in which the two participants are able to listen to and understand one another, albeit representing different points of view or sentiments. (2) The second factor is the distinction between the outer and the inner level of dialogue. This distinction characterizes any semiotic phenomenon, and derives from the distinction between linguistic form and content. The article argues that there is no automatic correspondence between the kind of interaction that occurs on one level and that taking place on the other. By using only these two factors we gain a systematic and elegant typology of dialogues that enables us to offer nuanced descriptions of a wide range of dialogical interactions in literary texts, notably in drama – as illustrated in the article.
About the author
David Fishelov (b. 1954) is an associate professor at the Hebrew University of Jerusalem 〈fishelov@mscc.huji.ac.il〉. His research interests include genre theory, poetic simile, adaptations of biblical Samson, and intertextuality. His publications include Metaphors of genre: The role of analogies in genre theory (1993); Like a rainfall: Studies in poetic simile (in Hebrew, 1996); Samson's locks: The transformations of biblical Samson (in Hebrew, 2000); and Dialogues with/and great books: The dynamics of canon formation (2010).
©[2013] by Walter de Gruyter Berlin Boston
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Articles in the same Issue
- Masthead
- Qu'est-ce qu'une fiction cubiste ? La “construction textuelle du point de vue” dans L'Herbe et La Route des Flandres
- Lostology: Transmedia storytelling and expansion/compression strategies
- Semiotics at the crossroads of art
- Semioethics and translation as communication in and across genres
- Shakespeare's first sonnet: Reading through repetitions
- Visual grammar in practice: Negotiating the arrangement of speech bubbles in storyboards
- Semiotics and Knowledge Management (KM): A theoretical and empirical approach
- The analysis of Licheń's Holy Icon as a case study in semiotic fortition
- Types of dialogue: Echo, deaf, and dialectical
- Borges and the construction of “reality”
- Advanced literacy and the place of literary semantics in secondary education: A tool of fictional analysis
- Peirce, Leibniz, and the threshold of pragmatism
- The devil in the sheaves: Ergotism in Southern Italy
- Biosemiotic scenarios
- Reflecting on human language through computer languages