Abstract
This paper examines narrative form as a cognitive tool for logical thinking in the performance of advanced mental actions through interpreting activity. In particular, the observation of the feature of the triadic relation in Peirce's semiotic system in narrative categorical elements is a key factor in seeing how consciousness operates. Under this aspect, it is possible to see that two different entities of emotion and cognition come together for a purposeful interpreting activity as semiosis. This triadic relation can be applied to new media text in three categorical elements of narrative: form, medium, and genre. This will form my argumentation in the present paper.
©[2012] by Walter de Gruyter Berlin Boston
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Articles in the same Issue
- Masthead
- The seventh signification of Sindbad: The “Greeking” of Sindbad from the Arabian nights to Disney
- Presence in the reading of literary narrative: A case for motor enactment
- Iconicity in urban place naming (with examples of names from places in Poland)
- At the circus backstage: Women, domesticity, and motherhood, 1975–2003
- Blackhorse Mitchell's Beauty of Navajoland: Bivalency, Dooajinída, and the work of contemporary Navajo poetry
- Semantics and critique of political economy in Adam Schaff
- The message of print, creative advertising: On the abductive guessing instinct as a prerequisite in comprehension
- Narrative cognition and modeling in new media communication from Peirce's semiotic perspective
- The activation of multileveled responses: James Phelan's rhetorical theory of narrative judgments
- Knowledge profiling the occupational therapy concept of occupation: Theory and case study
- The ideal teacher: An analysis of a teacher-recruitment advertisement
- Peirce's semiotics and Russian formalism: The story of Oedipus Rex
- The semiotics of communication