Article
Licensed
Unlicensed Requires Authentication

Queering the Border: Walter Pater’s “Sebastian Van Storck” and the Apocalypse of the Self

  • Raffaele Cutolo is Adjunct Professor of English at the University of Verona. Among his publications, the monograph Into the Woods of Wicked Wonderland (Heidelberg: Winter, 2014) and essays on queer theory, contemporary literature and culture, Renaissance literature.

    EMAIL logo
Published/Copyright: September 5, 2018
Become an author with De Gruyter Brill

Abstract

This essay examines how Walter Pater’s work “Sebastian van Storck” (Imaginary Portraits) could provide for a new re-reading of Pater’s queerness from a de-constructivist viewpoint which investigates the borders of identity from an anti-social perspective. As a juxtaposition to 1970s theory of sexuality, the anti-social take involves a withdrawal of the homosexual from society, and a subsequent tendency to create a twofold separation: one from without, and one -more subtle- from within. The former entails a rupture between the homosexual Self and the heteronormative Other, the latter is an ontological division between the queer I and its internal culturally heteronormalised counterpart, to be viewed as yet another attempt of the fin-de-siècle complex Self to reach a compromise in a liminal time that could no longer be considered fully Victorian.

About the author

Raffaele Cutolo

Raffaele Cutolo is Adjunct Professor of English at the University of Verona. Among his publications, the monograph Into the Woods of Wicked Wonderland (Heidelberg: Winter, 2014) and essays on queer theory, contemporary literature and culture, Renaissance literature.

Published Online: 2018-09-05
Published in Print: 2018-09-25

© 2018 Walter de Gruyter GmbH, Berlin/Boston

Downloaded on 11.4.2026 from https://www.degruyterbrill.com/document/doi/10.1515/pol-2018-0018/html
Scroll to top button