Article
Licensed
Unlicensed
Requires Authentication
Book Review
-
Anja Meyer
Published/Copyright:
September 2, 2014
Published Online: 2014-9-2
Published in Print: 2014-9-30
©2014 by Walter de Gruyter Berlin/Boston
You are currently not able to access this content.
You are currently not able to access this content.
Articles in the same Issue
- Frontmatter
- Focus
- Focus: Gardens of Justice
- Voltaire's Garden
- A Bundle of Sticks in My Garden
- The Right to Free Movement as Temporal Deterritorialization in the Landscaped Garden
- The Other Otherwise: Law, Historical Trauma and the Severed Gardens of Justice
- “He Does Not Love Me, Nor I He!” The Critic's Love is of Critique, not of Law
- Research
- Renaissance Actors and Lawyers: Instability of Texts and of Social Trafficking: The Comedy of Errors
- Where Laws do Reach: Public Opinion, the Theatres, and the 1737 Licensing Act
- “The law is a wise serpent”: Subtextual Subversion in The Revenger's Tragedy
- The Voice of Martha Ray
- Western and Post-Western Mythologies of Law
- Book Reviews
- Book Review
- Book Review
Articles in the same Issue
- Frontmatter
- Focus
- Focus: Gardens of Justice
- Voltaire's Garden
- A Bundle of Sticks in My Garden
- The Right to Free Movement as Temporal Deterritorialization in the Landscaped Garden
- The Other Otherwise: Law, Historical Trauma and the Severed Gardens of Justice
- “He Does Not Love Me, Nor I He!” The Critic's Love is of Critique, not of Law
- Research
- Renaissance Actors and Lawyers: Instability of Texts and of Social Trafficking: The Comedy of Errors
- Where Laws do Reach: Public Opinion, the Theatres, and the 1737 Licensing Act
- “The law is a wise serpent”: Subtextual Subversion in The Revenger's Tragedy
- The Voice of Martha Ray
- Western and Post-Western Mythologies of Law
- Book Reviews
- Book Review
- Book Review
