Article
Licensed
Unlicensed
Requires Authentication
From the Editor-in-Chief: Introduction
Published/Copyright:
October 1, 2015
Published Online: 2015-10-1
Published in Print: 2015-10-1
© 2015 Walter de Gruyter GmbH, Berlin/Boston
You are currently not able to access this content.
You are currently not able to access this content.
Articles in the same Issue
- Frontmatter
- From the Editor-in-Chief: Introduction
- Articles
- Why Preserve? An Analysis of Preservation Discourses
- Preserving Artworks Digitally: The Case of Andy Warhol’s Polaroid Photographs
- Conversations
- Charles W. Bailey, Jr.
- Currents and Comments
- Currents and Comments
- Conference Reviews
- Conference Spotlight: The Personal Digital Archiving Conference, April 24–26, 2015, New York, NY, USA
- Conference Review: Digital Preservation for the Arts, Social Sciences, and Humanities (DPASSH), June 25–26, 2015, Dublin, Ireland
Articles in the same Issue
- Frontmatter
- From the Editor-in-Chief: Introduction
- Articles
- Why Preserve? An Analysis of Preservation Discourses
- Preserving Artworks Digitally: The Case of Andy Warhol’s Polaroid Photographs
- Conversations
- Charles W. Bailey, Jr.
- Currents and Comments
- Currents and Comments
- Conference Reviews
- Conference Spotlight: The Personal Digital Archiving Conference, April 24–26, 2015, New York, NY, USA
- Conference Review: Digital Preservation for the Arts, Social Sciences, and Humanities (DPASSH), June 25–26, 2015, Dublin, Ireland