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Total Control: Recoding Humanity?
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Bernhard Serexhe
Published/Copyright:
March 9, 2019
Abstract
The following article relates to the exhibition, “Global Control and Censorship,” curated by Bernhard Serexhe and Livia Nolasco-Rozas, which was shown, from October 2015 until July 2016, at the ZKM | Center for Art and Media Karlsruhe (DE) and continued in 2017-18 as a traveling exhibition through seven Eastern-European countries, Tallinn (EST), Zilina (SK), Bialystok (PL), Vilnius (LT), Prag (CZ), Riga (LV), and Debrecen (H). Due to the urgency of its theme this exhibition attracted considerable audience and received international media coverage. The inserted images by photographer Anatole Serexhe document a selection out of more than 80 artworks shown in this exhibition.
Published Online: 2019-03-09
Published in Print: 2019-08-27
© 2019 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Articles
- National Self-Image as a Justification in Policy Debates: An International Comparison
- Pioneers in International Administration: A Prosopography of the Directors of the League of Nations Secretariat
- Commentary
- Stop Drifting, Start Rowing
- Review Essay
- Kathleen Burk: The Lion and the Eagle. The Interaction of the British and American Empires, 1783–1972; Derek Leebaert: Grand Improvisation. America Confronts the British Superpower, 1945–1957; Kori Schake: Safe Passage. The Transition from British to American Hegemony
- Reportage
- Total Control: Recoding Humanity?
- Book Reviews
- James R. Akerman, ed. Decolonizing the Map: Cartography from Colony to Nation
- Susan Whitfield: Silk, Slaves, and Stupas: Material Culture of the Silk Road
- A. G. Hopkins: American Empire: A Global History
