Abstract
The engraver, draughtsman, and miniature painter Moses Samuel Lowe (1756–1831) is almost forgotten today. This essay searches for traces of his life and his artistic work. Lowe’s work in the educated circles of Berlin is particularly explored. As one of the first Jewish artists to receive an academic education, Lowe was characterized by tireless creativity and inventiveness. He gained his artistic experience mainly within the sociable networks of the Berlin Enlightenment and the Prussian Haskalah, to which he remained ideologically and conceptually connected throughout his life. His portraits gave individual faces to many of the thinkers in these scholarly and literary circles. Lowe also provided illustrations for their publications, which, with their often allegorical expressiveness, served the vivid cognition of the recipients and thus contributed significantly to the educational intention of the writings.
Acknowledgements
I would like to thank Kirsten Schaper (Hamburg) and Elena Zhdanova (St Petersburg) for their great willingness to help me with the request for material in Kaliningrad. My special thanks also go to Johannes Czakai (Berlin/Jerusalem) for his research on the family background of M. S. Lowe. Finally, I would like to thank Claudia Sedlarz (Berlin) for her careful reading of the essay and for many helpful remarks.
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