Abstract
Kierkegaard’s pseudonymous authorship is characterized by a profusion of literary techniques that belong to the tradition of the ludic or selfconscious novel (the fiction that makes its fictionality manifest). In the present contribution the self-conscious literary plays carried out by Kierkegaard will be interpreted from the perspective of the philosophy of the subject, since both the self-conscious novel and Kierkegaard’s production can be related to this philosophical tradition. The article is organized as follows: first appears a very brief sketch of the way in which self-conscious literature and the philosophy of the subject are related. After this, follows a commentary on the notion of individuality in On the Concept of Irony. Kierkegaard’s dissertation is read as a work in the tradition of the philosophy of the subject that, at the same time, surpasses the idea of subjectivity as metaphysical principle. Finally, a close reading of Either/Or intends to show how Kierkegaard develops his ideas about subjectivity in a literary frame-that of the self-conscious novel
© 2015 by Walter de Gruyter Berlin/Boston
Articles in the same Issue
- Titelei
- Preface
- Table of Contents
- Section 1: Kierkegaard as a Philosopher
- “The Philosophical Thesis of the Identity of Thinking and Being is Just the Opposite of What it seems to be.” Kierkegaard on the Relations between Being and Thought
- The Posited Self: The Non-Theistic Foundation in Kierkegaard’s Writings
- Climacus and the Arguments for God’s Existence
- The Middle Term: Kierkegaard and the Contemporary Debate about Explanatory Theism
- O2 can do? Kierkegaard and the Debate on Divine Omnipotence
- Section 2: Interpreting Kierkegaard: Some Problems and Contemporary Perspectives
- Much Ado About (Almost) Nothing: In Defense of “Magister Kierkegaard”
- Is Either/Or a Religious Work or Not?
- Kierkegaard and the Self-Conscious Literary Tradition: An Interpretation of the Ludic Aspects of Kierkegaard’s Pseudonymous Authorship from a Literary-Historical Perspective
- “Marvel at Nothing”: Reconsidering Kierkegaard’s Category of Recollection through Social Networking Services
- Section 3: Kierkegaard Reception: Responses and Reflections in the 20th Century
- The Truth Behind the Text: Rachel Bespaloff as a Reader of Kierkegaard from “the Most Torn-Apart Backdrop of History”
- “A Great Awakener”: The Relevance of Søren Kierkegaard in Karl Jaspers’ Aneignung und Polemik
- Der Schatten der Kierkegaard-Renaissance. Eine rezeptionsgeschichtliche Studie über die dezisionistisch-irrationalistischen Kierkegaard-Interpretationen zwischen den Weltkriegen in Deutschland
- Kierkegaard Reception in Modern Theology: A Review and Assessment
- A Matter of Mimesis: Kierkegaard and Ricoeur on Narrative Identity
- Section 4: Editing Kierkegaard
- An Overview of Kierkegaard’s Nachlass. Part One: the Materials
- An Overview of Kierkegaard’s Nachlass. Part Two: the Editions
- Section 5: Appendix
- Index to Kierkegaard Studies Yearbook 1996–2014
- Abbreviations
- List of Contributors
Articles in the same Issue
- Titelei
- Preface
- Table of Contents
- Section 1: Kierkegaard as a Philosopher
- “The Philosophical Thesis of the Identity of Thinking and Being is Just the Opposite of What it seems to be.” Kierkegaard on the Relations between Being and Thought
- The Posited Self: The Non-Theistic Foundation in Kierkegaard’s Writings
- Climacus and the Arguments for God’s Existence
- The Middle Term: Kierkegaard and the Contemporary Debate about Explanatory Theism
- O2 can do? Kierkegaard and the Debate on Divine Omnipotence
- Section 2: Interpreting Kierkegaard: Some Problems and Contemporary Perspectives
- Much Ado About (Almost) Nothing: In Defense of “Magister Kierkegaard”
- Is Either/Or a Religious Work or Not?
- Kierkegaard and the Self-Conscious Literary Tradition: An Interpretation of the Ludic Aspects of Kierkegaard’s Pseudonymous Authorship from a Literary-Historical Perspective
- “Marvel at Nothing”: Reconsidering Kierkegaard’s Category of Recollection through Social Networking Services
- Section 3: Kierkegaard Reception: Responses and Reflections in the 20th Century
- The Truth Behind the Text: Rachel Bespaloff as a Reader of Kierkegaard from “the Most Torn-Apart Backdrop of History”
- “A Great Awakener”: The Relevance of Søren Kierkegaard in Karl Jaspers’ Aneignung und Polemik
- Der Schatten der Kierkegaard-Renaissance. Eine rezeptionsgeschichtliche Studie über die dezisionistisch-irrationalistischen Kierkegaard-Interpretationen zwischen den Weltkriegen in Deutschland
- Kierkegaard Reception in Modern Theology: A Review and Assessment
- A Matter of Mimesis: Kierkegaard and Ricoeur on Narrative Identity
- Section 4: Editing Kierkegaard
- An Overview of Kierkegaard’s Nachlass. Part One: the Materials
- An Overview of Kierkegaard’s Nachlass. Part Two: the Editions
- Section 5: Appendix
- Index to Kierkegaard Studies Yearbook 1996–2014
- Abbreviations
- List of Contributors