Startseite Performative versus Orientational Hermeneutics. Gadamer’s Criticism of Kant’s Sensus Communis and its Hermeneutical Rehabilitation by Makkreel
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Performative versus Orientational Hermeneutics. Gadamer’s Criticism of Kant’s Sensus Communis and its Hermeneutical Rehabilitation by Makkreel

  • Marcello Ruta
Veröffentlicht/Copyright: 21. Oktober 2019
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Abstract

In a series of works published over the last thirty years, Rudolf Makkreel accomplished what can be called a hermeneutical rehabilitation of Kant’s Critique of Judgment. Such a rehabilitation has been formulated in explicit opposition to the negative hermeneutical image of Kant’s aesthetics which originated in the work of Hans-Georg Gadamer, and according to which the subjectivization of aesthetics perpetrated by Kant reduced aesthetic judgments to a mere communication of feelings, sanctioning thereby their hermeneutical irrelevance. In this essay I do not intend to evaluate the legitimacy of Makkreel’s considerations about the hermeneutical importance of Kant’s Third Critique. Rather, I aim to question the pertinence of those considerations for Gadamer’s criticism of Kant, specifically in relation to the notion of sensus communis, which plays a central role both in Gadamer’s and Makkreel’s analyses.

Published Online: 2019-10-21
Published in Print: 2019-10-21

© 2019 by Walter de Gruyter Berlin/Boston

Heruntergeladen am 21.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/kantyb-2019-0004/html
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