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Introduction
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Carlos Rojas
Carlos Rojas is Professor of Chinese Cultural Studies; Gender, Sexuality, and Feminist Studies; and Arts of the Moving Image at Duke University, and his research focuses on issues of gender and visuality, corporeality and infection, and nationalism and diaspora studies.
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August 23, 2024
Published Online: 2024-08-23
Published in Print: 2024-08-27
© 2024 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Editorial
- Introduction
- Research Articles
- Between Shenguai and Science: The Visual Imagination of Technical Objects in Republican China
- The Broken Human–Object Continuum: The Technological Future and Socialist Contradictions in Rhapsody of the Ming Tombs Reservoir (1958)
- Myth and Cyber: A Study of the Narrative and Visual Language of Chinese Cyberpunk Anime Films
- Navigating the World of The Stranger (1979) After the Cultural Revolution: Unveiling Hong Kong Leftist Science Fiction Film by Bao Fang
- Imagining an Alternative Future: Children’s Bodies in Wonder Boy (1988), Magic Watch (1990), and Mad Rabbit (1997)
- A Palimpsest of Hong Kong Futures Across Three Fictions (1962–2046)
- Cinematic Science Fiction, Indigenous Mythology, and Multispecies Entanglement: An Ecological Reading of The Mermaid (2016)
- Dreaming Fish, Becoming Fish: Animating Modern Mythology and Zhuangzian Philosophy in the Fantasy Film Big Fish & Begonia
- The Poetics of Journey to the West (2021): Disclosing a Way to Dwell in the World
- From Home to Homeland: Re-Imagining Chinese Diaspora in Recent Science Fiction Films
Articles in the same Issue
- Frontmatter
- Editorial
- Introduction
- Research Articles
- Between Shenguai and Science: The Visual Imagination of Technical Objects in Republican China
- The Broken Human–Object Continuum: The Technological Future and Socialist Contradictions in Rhapsody of the Ming Tombs Reservoir (1958)
- Myth and Cyber: A Study of the Narrative and Visual Language of Chinese Cyberpunk Anime Films
- Navigating the World of The Stranger (1979) After the Cultural Revolution: Unveiling Hong Kong Leftist Science Fiction Film by Bao Fang
- Imagining an Alternative Future: Children’s Bodies in Wonder Boy (1988), Magic Watch (1990), and Mad Rabbit (1997)
- A Palimpsest of Hong Kong Futures Across Three Fictions (1962–2046)
- Cinematic Science Fiction, Indigenous Mythology, and Multispecies Entanglement: An Ecological Reading of The Mermaid (2016)
- Dreaming Fish, Becoming Fish: Animating Modern Mythology and Zhuangzian Philosophy in the Fantasy Film Big Fish & Begonia
- The Poetics of Journey to the West (2021): Disclosing a Way to Dwell in the World
- From Home to Homeland: Re-Imagining Chinese Diaspora in Recent Science Fiction Films
