Revivalism in the New Life Movement and Cultural Conservatism in Early Chinese Films, 1934–1937

References

Anonymity. 1934. “Qingjieyundong de hanyi [The Meaning of Clean Movement].” Central Daily 5 (1): 3–3.Search in Google Scholar

Anonymity. 1935a. “Sujiaoting shezhi jiaoyu dianying [Educational films produced by Jiangsu Education Department].” Jiangsu Education.Search in Google Scholar

Anonymity. 1935b. “Mi xiaotianshi xiaoyan [Secrets of A Little Angel].” Lianhua Pictorial.Search in Google Scholar

Anonymity. 1935c. “Xiaotianshi [A Little Angel].” Sports World.Search in Google Scholar

Anonymity. 1935d. “Liangmu; Jiaoyudianying yanjiu diyiji [Good Mother, Episode 1 of Educational Film Research].” Jiangsu Provincial Zhenjiang People’s Education Hall.Search in Google Scholar

Anonymity. 1936a. “Xinshenghuo yu funv [New Life and Women].” Women’s New Life Monthly.Search in Google Scholar

Anonymity. 1936b. “Muai benshi shuomingshu [Motherly Love Factbook].” Motherly Love Special Issue.Search in Google Scholar

Anonymity. 1937. “Guochan yingpian pingxuan weiyuanhui ershiwunian yingpian pingxuanbaogaoshu [Report on the 25th Annual Film Selection by the Domestic Film Selection Committee].” Ta Kung Pao (Shanghai Edition) 12: 7–24.Search in Google Scholar

Chen, Shan. 1997. “Disanzhong dianying: feimu dianyingsiwei de shuli luoji [The Third Type of Film: the Alienation Logic of Feimu’s Film Thinking].” Contemporary Cinema 5: 46.Search in Google Scholar

Cheng, Jihua. 1963. Zhongguo dianying fazhanshi (juan 1) [History of Chinese Film Development (Volume 1)]. Beijing: China Film Press.Search in Google Scholar

Du, Yunzhi. 1986. Zhongguo dianying qishinian [Seventy Years of Chinese Film]. Taipei: Publishing Department of the Republic of China Film Library.Search in Google Scholar

Fitzgerald, Carolyn. 2013. Fragmenting Modernisms: Chinese Wartime Literature, Art, and Film, 1937–49. Leiden, Boston: Brill.10.1163/9789004250994Search in Google Scholar

Guan, Zhigang. 1998. “Xinshenghuo yundong fugulun xi [Analysis of the ‘Revival Theory’ of the New Life Movement].” Jianghan Academic 11: 20–3.Search in Google Scholar

Hong, Yuan. 1935. “Daxiao jiatong libitan [A Discussion on the Advantages and Disadvantages of Large and Small Families].” China Xinghua Daily 23: 20–24.Search in Google Scholar

Hu, Jubin. 2003. Projecting a Nation: Chinese National Cinema Before 1949, 107. Hong Kong University Press.Search in Google Scholar

Jiang, Shecun. 1934. “Fudao (yingping) [Women’s Discipline (Film Critics)].” Public Education Newsletter 7: 47–47.Search in Google Scholar

Jin, Qinyu. 1936. “Daoyanzheyan [Words of a Director].” Motherly Love Special Issue 1: 2–2.Search in Google Scholar

Jin, Haina. 2011. “Dongfang qingdiaohua de fanyi qingxiang yu gaixie—yi dianying yingyu weili de kaocha [Movie Rendition with Oriental exoticism and flavor and Its Tendency of Rewriting in the West: An Examination with Song of China as a Case Study].” Journal of Shandong Normal University (Humanities and Social Sciences Edition) 3: 69.Search in Google Scholar

Laoyi, Yi. 1992. Shibaide Geming: 1927-1937 guomindang tongzhixiade zhongguo [A failed revolution: China under the rule of the Kuomintag from 1927 to 1937]. Beijing: China Youth Publishing House.Search in Google Scholar

Li, Daoxin. 2005. “Lunli suqiu yu guozu xiangxiang—zhushilin zaoqi dianying de jingshen zouxiang jiqi wenhua hanyi [Ethical Appeal and National Imagination—The Spiritual Trend and Cultural Implications of Zhu Shilin’s Early Films].” Contemporary Cinema 5: 35–40.Search in Google Scholar

Liu, Junning. 1998. Baoshou zhuyi [Conservatism]. Beijing: China Social Science Press.Search in Google Scholar

Luo, Mingyou. 1936. “Cimuqu mouyan [Introduction to the Love Mother Song].” Lianhua Pictorial 2: 5–5.Search in Google Scholar

Mo, Jun. 1935. “Tianlun de poshi [Analysis of The Link].” Life Knowledge 6: 290.Search in Google Scholar

Shen, Huilian. 1937. “Jiatingfunv yu shehuifunv [Domestic Women and Social Women].” Women’s New Life Monthly 6: 2–2.Search in Google Scholar

Solomon, Aubrey. 2011. The Fox Film Corporation, 1915–1935: A History and Filmography, 331, 271–272. McFarland.Search in Google Scholar

Tulong. 1935. “Tianlun [The Link].” Lianhua Pictorial.Search in Google Scholar

Wakeman, FredericJr. 1997. “A Revisionist View of the Nanjing Decade: Confucian Fascism.” The China Quarterly 150: 395–432, https://doi.org/10.1017/s030574100005253x.Search in Google Scholar

Wang, Sihan. 2007. “1934–1937 nianjian de xinshenghuo yundong yu jiduijiao—yi jiaouzazhi weizhongxin [The New Life Movement and Christianity from 1934 to 1937—Centered on the Journal of Academic Affairs].” Study of Chinese Socio-Economic History 4: 77.Search in Google Scholar

Xiao, Zhwei. 1998. “Wu Yonggang and the Ambivalence in the Chinese Experience of Modernity: A Study of His Three Films of the Mid-1930s.” Asian Cinema 2: 3–15, https://doi.org/10.1386/ac.9.2.3_1.Search in Google Scholar

Zhang, Chu. 1937. “Cong xinwenhuayundong dao xinshenghuoyundong [From the New Culture Movement to the New Life Movement].” New Movement Guide 9: 24–5.Search in Google Scholar

Zhou, Lei. 2009. “Guomin zhengfu dui nvxing de suzao he xunlian—yi kangzhanqian xinshenghuo yundong weizhongxin de kaocha (1934–1937) [The Nationalist Government’s Shaping Women-Centered on the New Life Movement before the Anti-Japanese War (1934–1937)].” Review of Women’s Studies 3: 52.Search in Google Scholar

Zhu, Shilin. 1936. “Muqianyu [Antetentorial Language of Song of a Kind Mother].” Lianhua Pictorial 2: 4–4.Search in Google Scholar