Introduction to the Special Section: Women, City and Early Chinese Cinema

Articles in the same Issue

1. Frontmatter
2. Special Section: Women, City and Early Chinese Cinema; guest edited by Chen Jin
3. Introduction to the Special Section: Women, City and Early Chinese Cinema
4. Staging Shanghai in Love and Duty 戀愛與義務 (1923, 1931)
5. Revisiting the Stardom of Yang Naimei: The Typecast, the Modern Girl, and the Femme Fatale
6. Practicing Runaway: What Happened to Pu Shunqing in the Early Chinese Film Industry?
7. To Marry or To Write?—Sheng Qinxian and Her (Screen) Writing in 1940s Shanghai
8. Other Research Articles
9. The Establishment of Chinese Film Industry Studies and the Correction of Film Industrialization – Review and Prospect of the Twenty Years of Film Industrialization Reform
10. The Role of Association: New Thinking on “Exposition, Comparison, Association” in Films
11. The Occurrence of Cross-Media and Cross-Cultural Anxiety: Two Stars in the Milky Way from the Perspective of Meta Film
12. The Application and Innovation of the Stylized Performance of Traditional Chinese Theater in the Animated Film New Sanchakou
13. Film Review
14. Never Say Never: Reproduction of Intergenerational Will and Return of Ideal—Interview with Wang Baoqiang