Published Online: 2019-05-09
Published in Print: 2019-05-07
© 2019 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Frontmatter
- Fear and Anxiety in Contemporary Drama and Performance: An Introduction
- Masters (and Mistresses) of Menace
- Anxieties in Irish Theatre
- The Repulsive Other in Tim Crouch’s I, Malvolio (2010)
- Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions and Tigers
- The Dystopian Near-Future in Contemporary British Drama
- (Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis
- The Science and Politics of Climate Change in Steve Waters’ The Contingency Plan
- FeArt and Dance-xiety in Nature Theater of Oklahoma’s Pursuit of Happiness: Artificiality, Authenticity and Fun as the Building Stones of a Hopeful Performative
- Book Reviews
- Sara Soncini. Forms of Conflict: Contemporary Wars on the British Stage. Exeter: University of Exeter Press, 2015, xvii + 295 pp., £65.00 (hardback), £22.50 (paperback).
- Campbell Edinborough. Theatrical Reality: Space, Embodiment and Empathy in Performance. Bristol: Intellect, 2016, 171 pp., £70 (hardback), £56 (PDF ebook).
- Sarah Grochala. The Contemporary Political Play: Rethinking Dramaturgical Structure. London: Bloomsbury, 2017, x + 248 pp., £65 (hardback), £19.99 (paperback), £19.99 (PDF ebook).
- Bree Hadley. Theatre, Social Media, and Meaning Making. Basingstoke: Palgrave Macmillan, 2017, v + 256 pp., £89.99 (hardback), £71.50 (PDF ebook).
- Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor: University of Michigan Press, 2016, 160 pp., $.60.00 (hardback), $19.95 (paperback), $24.18 (PDF ebook).
- Lindsay B. Cummings. Empathy as Dialogue in Theatre and Performance. Basingstoke: Palgrave, 2016, vii + 220 pp., €84.99 (hardback), €69.99 (PDF ebook).
- Liz Tomlin, ed. British Theatre Companies: 1995-2014. London: Bloomsbury, 2015, xii + 328pp., £48.44 (hardback), £21.99 (paperback), £16.37 (Kindle ebook).
- Ian Brown. History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama. London: Palgrave Macmillan, 2016, xvi + 247 pp., £69.99 (hardback), £55.99 (PDF ebook).
- Saunders, Graham, ed. British Theatre Companies: 1980-1994. London: Bloomsbury, 2015, xi + 304 pp., £59.50 (hardback), £15.39 (paperback).
- Nicholas Grene, and Chris Morash, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, 2016, 764 pp., £95.00 (hardback).
- Anna Harpin, and Helen Nicholson, eds. Performance and Participation: Practices, Audiences, Politics. Basingstoke: Palgrave, 2017, xi + 244 pp., €80.24 (hardback), €29.95 (paperback), €26.99 (PDF ebook).
Articles in the same Issue
- Frontmatter
- Frontmatter
- Fear and Anxiety in Contemporary Drama and Performance: An Introduction
- Masters (and Mistresses) of Menace
- Anxieties in Irish Theatre
- The Repulsive Other in Tim Crouch’s I, Malvolio (2010)
- Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions and Tigers
- The Dystopian Near-Future in Contemporary British Drama
- (Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis
- The Science and Politics of Climate Change in Steve Waters’ The Contingency Plan
- FeArt and Dance-xiety in Nature Theater of Oklahoma’s Pursuit of Happiness: Artificiality, Authenticity and Fun as the Building Stones of a Hopeful Performative
- Book Reviews
- Sara Soncini. Forms of Conflict: Contemporary Wars on the British Stage. Exeter: University of Exeter Press, 2015, xvii + 295 pp., £65.00 (hardback), £22.50 (paperback).
- Campbell Edinborough. Theatrical Reality: Space, Embodiment and Empathy in Performance. Bristol: Intellect, 2016, 171 pp., £70 (hardback), £56 (PDF ebook).
- Sarah Grochala. The Contemporary Political Play: Rethinking Dramaturgical Structure. London: Bloomsbury, 2017, x + 248 pp., £65 (hardback), £19.99 (paperback), £19.99 (PDF ebook).
- Bree Hadley. Theatre, Social Media, and Meaning Making. Basingstoke: Palgrave Macmillan, 2017, v + 256 pp., £89.99 (hardback), £71.50 (PDF ebook).
- Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor: University of Michigan Press, 2016, 160 pp., $.60.00 (hardback), $19.95 (paperback), $24.18 (PDF ebook).
- Lindsay B. Cummings. Empathy as Dialogue in Theatre and Performance. Basingstoke: Palgrave, 2016, vii + 220 pp., €84.99 (hardback), €69.99 (PDF ebook).
- Liz Tomlin, ed. British Theatre Companies: 1995-2014. London: Bloomsbury, 2015, xii + 328pp., £48.44 (hardback), £21.99 (paperback), £16.37 (Kindle ebook).
- Ian Brown. History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama. London: Palgrave Macmillan, 2016, xvi + 247 pp., £69.99 (hardback), £55.99 (PDF ebook).
- Saunders, Graham, ed. British Theatre Companies: 1980-1994. London: Bloomsbury, 2015, xi + 304 pp., £59.50 (hardback), £15.39 (paperback).
- Nicholas Grene, and Chris Morash, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, 2016, 764 pp., £95.00 (hardback).
- Anna Harpin, and Helen Nicholson, eds. Performance and Participation: Practices, Audiences, Politics. Basingstoke: Palgrave, 2017, xi + 244 pp., €80.24 (hardback), €29.95 (paperback), €26.99 (PDF ebook).