Elaine Aston and Geraldine Harris.A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. New York: Palgrave Macmillan, 2013, 218 pp.

Articles in the same Issue

1. Masthead
2. What Narrative? What Dissent?: Refractive Visions of India in M. Duras’s India Song and M. Padmanabhan’s Harvest
3. The Political with a Small p: A Re-evaluation of Brian Friel’s The Freedom of the City
4. ‘Gar O’Donnell and the Philadelphia’: Traditional Song and ‘The Irish Showband’ in Brian Friel’s Philadelphia, Here I Come! (1964)
5. Non-Productive Expenditure and Sam Shepard’s States of Shock: A Performance of Waste
6. Sarah Kane’s Blasted – Genesis of the Subject
7. “Theatre Matters”: Discovering the True Self in Terrence McNally’s Dedication
8. Asyntactic Contact with Fleshless Words: Con/tactile Aesth/Ethics in The Castle
9. Wendy Aarons & Theresa J. May(eds.).Readings in Performance and Ecology. New York: Palgrave Macmillan, 2012, 256 pp., $59.49.
10. Chris Megson. Modern British Playwriting: The 1970s. London: Methuen Drama, 2012, xii + 299 pp., $90.00 (hardback), $27.95 (paperback), $26.99 (PDF ebook). Jane Milling. Modern British Playwriting: The 1980s. London: Methuen Drama, 2012, xii + 313 pp., $90.00 (hardback), $27.95 (paperback), $26.99 (PDF ebook). Aleks Sierz. Modern British Playwriting: The 1990s. London: Methuen Drama, 2012. X + 277 pp., $90.00 (hardback), $27.95 (paperback), $26.99 (PDF ebook).
11. Elaine Aston and Geraldine Harris.A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. New York: Palgrave Macmillan, 2013, 218 pp.
12. Ulrike Behlau-Dengler. Zakhor! Remembering the British-Jewish Experience in British-Jewish Drama after 1945, CDE Studies 21, Trier: WVT Wissenschaftlicher Verlag Trier, 2011, 492 pp., € 48.50.
13. Lilian Chambers & Eamonn Jordan (eds.). The Theatre of Conor McPherson. ‘Right beside the Beyond’. Dublin: Carysfort Press, 2012, 309 pp., € 44.99
14. Frances Babbage. Re-visioning Myth: Modern and Contemporary Drama by Women. New York: Manchester UP, 2011, x + 261 pp., $85.50.
15. Victor Merriman. ‘Because we are poor’: Irish Theatre in the 1990s. Dublin: Carysfort Press, 2011, 250 pp., € 20.00.
16. Wiegmink, Pia. Protest EnACTed: Activist Performance in the Contemporary United States. Heidelberg: Winter, 2011, 434 pp., € 54.00.
17. Stephen Greer. Contemporary British Queer Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan 2012, 245 pp., £ 47.38.